"This is a terrific dagger of a book packed with cringey detail.one of the better books ever written about Wall Street. The Fund is the perfect rage-read." -- New York Times Book Review "At last, the era of the billionaire philosopher-king has a defining book. The Fund is a taut, nonfiction thriller." --Bryan Burrough , author of Barbarians at the Gate "A classic American story about the most famous man on Wall Street--or the person he seems to be. The Fund manages to both shock and entertain at the same time." --Philipp Meyer , bestselling author of American Rust and The Son "The most explosive, mind-blowing business book I've ever read--and the most fun, too.
" --Bradley Hope , co-author of the New York Times bestseller Billion Dollar Whale and Pulitzer Prize finalist "Devastating.full of delectably awful anecdotes." --Bethany McLean, bestselling author of The Smartest Guys in the Room "It's a great book.everyone should read it!" --Kara Swisher, co-host of the podcast Pivot "Writing with droll aplomb, Copeland takes a torch to Dalio's reputation as a Wall Street savant.the result is a hugely entertaining depiction of unbridled wealth colliding with unhinged folly." -- Publishers Weekly "A closely observed investigation.Copeland's history of the firm benefits from deep sourcing, drawing on new on-the-record interviews, internal documents, and multiple leaked e-mails.[offering] a vivid snapshot of Dalio's psyche.
" --The New Yorker "An unsettling exposé of a leading investment fund.A vivid portrait of soul-killing micromanagement in a ruthless corporate setting." -- Kirkus "A jaw-dropping narrative.Financial reporter Rob Copeland has written a book that blows apart the mystique of Bridgewater and the man at its center. The Fund manages the improbable task of living up to its strapline of 'unravelling' a Wall Street legend." --Financial Times "Weird." --Fortune "Copeland's gripping book exposes the cult-like culture at Ray Dalio's Bridgewater Associates." --Spear's "An epic page-turner.
reads like the slimmest of thrillers." -- The Messenger "A hedge fund horror story." --The Australian "A page-turning portrait of a bully and bullshit artist--and, more fundamentally, a damning indictment of the elite compulsion to conflate wealth with genius." --The Lever.