INTRODUCTION Paris: Pot on the Fire On a gray fall morning in the days sometime before the pandemic, my partner Barry and I arrived in Paris, where I planned to make a pot-au-feu recipe from a nineteenth-century French cookbook. It was for a book project of my own, one that had begun to bubble and form in my mind, about national food cultures told through their symbolic dishes and meals, which I would cook, eat, and investigate in different parts of the world. Dumping our luggage in our apartment swap in the multicultural 13th arrondissement, we immediately rushed across the wide Avenue d''Italie-to begin sabotaging French national food culture by ingesting a frenzy of calories. Non -Gallic calories. At a petite dive called Mekong, a stupendous curried chicken banh mi was prepared with something like love by a tired Vietnamese woman who sighed that Saigon was très belle, mais Paris? Eh bien, un peau triste . At a halal Maghrebi boucherie there was mahjouba, a flaky Algerian crepe aromatic with a filling of stewed tomatoes and peppers. And a mustached butcher being tormented by a middle-aged Parisienne, prim and imperious. After she departed with her single veal escalope, he exhaled with a whistle and made a "crazy" sign with his finger.

Which pretty much summed up how I''d always felt about Paris. Ever since my first visit back in the 1970s, as a sullen teenage refugee from the USSR newly settled in Philadelphia, my relationship with the City of Light had always been anxious and fraught. Other people might swoon over the bistros, rhapsodize about first encounters with platters of oysters and crocks of terrine. Me, I saw nothing but despotic prix fixe menus, withering classism, and Haussmann''s relentless beige facades-assembly-line Stalinism epauletted with window geraniums. But right now , onward, for pink mochi balls at a Korean épicerie on the main Asian artery, Avenue de Choisy, after which I frantically stuffed our shopping bag with frozen Cambodian dumplings and three huge Chinese moon cakes at the giant Asian supermarket, Tang Frères. Just nearby, at a fluorescent-lit Taiwanese bubble tea parlor, was where I discovered the Vietnamese summer roll-sushi mashup. Behold the sushiburrito. It was the happiest Paris arrival I''d ever had.

The 13th arrondissement comforted me right back to where I''d just left, my buoyant polyglot New York neighborhood of Jackson Heights, Queens. The postcolonial profusion of lemongrass, fish sauce, and harissa helped soften my Francophobic unease. Sending Barry off to settle into our apartment swap-whose tiny cramped kitchen, by some astounding kismet, featured a large poster of Frederick Wiseman''s documentary In Jackson Heights -I carried my purchases to our petite neighborhood park. South Asian and North African kids were kicking a soccer ball by the hibiscus bushes. On a bench, a Koranic old man with a wispy beard and a skullcap put his hand to his heart to greet me: "As-salaam alaikum!" With this blessing and a test bite of moon cake (funky salted egg filling), I pondered that which had brought me to Paris-a place unbeloved by me, but historically crucial to the concept of a national food culture. My journey could hardly start anywhere else. National cuisines, one food studies scholar observes, suffer from "problematic obviousness." The same could be said for the very idea of "national.

" Most of us take a view of nations as organic communities that have shared blood ties, race, language, culture, and diet since time immemorial. Among social scientists, however, this "primordialism" doesn''t hold water. Scholars from the influential mid-1980s "modernist" school (Ernest Gellner, Eric Hobsbawm, Benedict Anderson) have persuasively argued that nations and nationalism are historically recent phenomena, dating roughly to the late Enlightenment-and to the French Revolution in particular, which supplied the model for our contemporary concept of the nation, as France''s absolutist monarchy of divergent peoples and customs and dialects was transformed into a sovereign entity of common laws, a unified language, and a written constitution, ruled in the name of equal citizens under that grand idealist banner: Liberté, égalité, fraternité! Inspired by the French example, the long nineteenth century would see the rise of ethnonational self-determination from colonial empires, until the first and second world wars released flood tides of new nation-states from the ruins-some of their current borders, of course, blatant carve-ups by European colonial powers. The final wave of nations arrived in the early 1990s with the dissolution of Yugoslavia and the USSR. It was in the latter where I was born in the sixties, to be raised on the imperialist scarlet-blazed myth of the fraternity of Soviet socialist republics-as diverse as Nordic Estonia and desert Turkmenistan-all wisely governed by Moscow, my hometown. The food we relished was the disparate cuisine of an empire: Uzbek pilaf, spicy Georgian chicken in walnut sauce, briny Armenian dolmas; they relieved the quotidian blandness of Soviet-issue sosiski (franks) and mayonnaise-laden salads. Then in 1974 my mother and I became stateless refugees, emigrants to the US. I still remember my ESL teacher lecturing grandly in a loud, nasal Philadelphia accent about how proud we students should feel being part of a glorious melting-pot nation.

And me trying to imagine myself somehow as a slice of weird Day-Glo-orange Velveeta melting away in the cauldron of gloppy chili of our school lunches. Instinctively wary of the great American assimilationist model, I didn''t melt in very well. My overbearing patriotic Soviet education made me cynical about states and their identities. Though now I sometimes wonder how it would feel to belong to a small, close-knit nation-Iceland?-I feel most at home in my Jackson Heights barrio of 168 languages, where I can have Colombian arepas for breakfast and Tibetan momos for lunch, and nobody cares about my identity. I''m a Jewish-Russian American national, born in a despotic imperium long deleted from maps. I speak with a heavy accent in several languages, lead a professionally nomadic existence as a food and travel writer, and own an apartment in Istanbul, former seat of the multiethnic Ottoman empire. At table my mom, Barry, and I are passionate ecumenical culturalists. We make gefilte fish for Passover, Persian pilaf for Nowruz, and a ham for Russian Orthodox Easter.

The Polish philosopher Zygmunt Bauman has a great phrase for this very common postmodern-globalized-condition, of not committing to a single identity or place or community: "Liquid modernity," he calls it. A life where "there are no permanent bonds." So why then would someone like me set out to explore national food cultures? Because with the rise and domination of globalization, nations and nationalism somehow seem both more obsolete and more vital and relevant than ever. There''s hardly a better prism through which to see this than food. From Kampala to Kathmandu we confront the same omnipresent fast-food burger, while from Tbilisi to Tel Aviv the same "global Brooklyn" community of woolly hipsters protests such corporate/culinary imperialism with craft beer and Instagrammable sourdough loaves. In a way, both the craft brews and the burgers are different political flavors of transnational food flows. Such full-flood globalization, you''d think, would have wiped away local and national cravings. But no: the global and local nourish each other.

Never have we been more cosmopolitan about what we eat-and yet never more essentialist, locavore, and particularist. As the world becomes ever more liquid , we argue about culinary appropriation and cultural ownership, seeking anchor and comfort in the mantras of authenticity, terroir, heritage. We have a compulsion to tie food to place, to forage for the genius loci on our pilgrimages to the birthplace of ramen, the cradle of pizza, the bouillabaisse bastion. Which is what I''ve been doing myself professionally for the last several decades. What''s more, as a national symbol, food carries the emotional charge of a flag and an anthem, those "invented traditions" crucial to building and sustaining a nation, to claiming deep historical roots. While in fact, often, they are both manufactured and recent. And so here I sat on a bench in Paris, unwrapping my hyperglobalized sushiburrito while contemplating a super-essentialist quote from the great scholar Pascal Ory. France, wrote Ory, "is not a country with an ordinary relation to food.

In the national vulgate food is one of the distinctive ingredients, if not the distinctive ingredient, of French identity." Italians, Koreans, even Abkhazians would certainly wax indignant that their relation to food is every bit as special. But if our identities, at their most primal, involve how we talk about ourselves around a dinner table, it was France-and Paris specifically-that created the first explicitly national discourse about food, esteeming its cuisine as an exportable, uniquely French cultural product along with terms such as "chef" and "gastronomy." It was France that in the mid-seventeenth century laid the foundation as well for a truly modern cuisine, one that emerged from a jumble of medieval spices to invent and record sauces and techniques the world still utilizes today. To create "restaurants" as we know them, and turn "terroir" into a powerful national marketing tool. Of course (to my not-so-secret glee, I admit) this Gallic culinary exceptionalism had taken a terrific beating over the past couple decades. So where.