1. Introduction K.J. Donnelly (University of Southampton, UK) and Aimée Mollaghan (Queen's University, Belfast, UK) 2. What wind in what trees? Listening to Blow-Up (1966) Paul Newland (Worcester University, UK) 3. Imaginal Space and the Occult Soundtrack in Guy Maddin's Keyhole (2011) Daniel Bishop (Indiana University, USA) 4. The Haunted and the Medium K.J.

Donnelly (University of Southampton, UK) 5. Producing Paranormal Sounds: the BBC Radiophonic Workshop, The Legend of Hell House (1973) and The Stone Tape (1972) Jamie Sexton (University of Northumbria, UK) 6. Cries and Whispers: Inner Time, Landscape and Sound in the Television Adaptations of Alan Garner Craig Wallace ( Queen's University, Belfast , UK) 7. Concrète Spaces: Musique Concrète in Gus van Sant's Elephant (2003) and Paranoid Park (2007) Jessica Shine (Munster Technological University, Ireland) 8. Arctic Noir and Acoustic Terror: Sounding Uncanny Landscapes of Crime Lisa Coulthard (University of British Columbia, Canada) 9. Acoustic Ghosts and Haunted Landscapes in Contemporary British Landscape Cinema Aim é e Mollaghan (Queen's University, Belfast, UK) 10. The Trajectory of Death: Justin Kurzel's Screen Adaptation of Shakespeare's Macbeth (2015) Danijela Kulezic-Wilson (University College Cork, Ireland) 11. Haunted Folk: Spectres of the Analogue in Annihilation (2018) John McGrath (University of Surrey, UK) 12.

Sonic Novelty and Conceptual Obscurity: Music, Landscape and Enigma in Picnic at Hanging Rock (Peter Weir, 1975) Jady Jiang (University of Southampton, UK) 13. Outside Inside: Nature, Gender and the Altered Domestic Space in Possum (1997) and Nature's Way (2006) Andrea Wright (Edge Hill University, UK) Index.