1. Introduction: 1.1 Prolegomena; 1.2 Clocks and clouds; 1.3 Overview; 1.3.1 Chapter two; 1.3.
2 Chapter three; 1.3.3 Chapter four; 1.3.4 Chapter five; 1.3.5 Chapter six; 1.3.
6 Chapter seven; 1.3.7 Chapter eight. 2. Pragmatics and emotion - the challenges: 2.1 Introduction; 2.2 Two challenges; 2.2.
1 Description versus expression; 2.2.2 Propositions and ineffability; 2.3 Pragmatics. 3. What is emotion?: 3.1 Introduction; 3.2 The early history of emotion studies; 3.
2.1 Aristotle to Hume; 3.2.2 Charles Darwin and William James; 3.3 Affective science; 3.3.1 Three views; 3.3.
2 Basic emotion; 3.3.3 Constructed emotion; 3.3.4 The view from appraisal theory. 4. From proto-pragmatics to pragmatics: 4.1 Introduction; 4.
2 Towards expressive meaning; 4.3 Bally''s parole; 4.4 Speech acts: how to do things with words (and emotional expressions); 4.5 Alternatives. 5. Relevance theory, non-propositional content and ineffability: 5.1 Introduction; 5.2 Relevance; 5.
2.1 Theory; 5.2.2 Applications, concepts, procedures; 5.2.3 Ineffability; 5.3 Two notions of relevance? 6. Beyond propositions: 6.
1 Introduction; 6.2 Affective effects; 6.2.1 Primary affective effects; 6.2.2 Secondary affective effects: emotion and poetry; 6.2.3 Affective effects and persuasion.
7. Emotion and evolution: 7.1 Introduction; 7.2 Creature construction; 7.2.1 Pirot #1: the sea-sponge; 7.2.1 Towards a sensorium: the direct route; 7.
2.3 Pirot #2: the lizard and emotion; 7.2.4 Humean projection: the indirect route. 8. Pragmatics and emotion - the challenges revisited: 8.1 Introduction; 8.2 Two challenges; 8.
2.1 Expressing and describing; 8.2.2 Propositions and ineffability; 8.3 Pragmatics and emotion - closing remarks.fability; 5.3 Two notions of relevance? 6. Beyond propositions: 6.
1 Introduction; 6.2 Affective effects; 6.2.1 Primary affective effects; 6.2.2 Secondary affective effects: emotion and poetry; 6.2.3 Affective effects and persuasion.
7. Emotion and evolution: 7.1 Introduction; 7.2 Creature construction; 7.2.1 Pirot #1: the sea-sponge; 7.2.1 Towards a sensorium: the direct route; 7.
2.3 Pirot #2: the lizard and emotion; 7.2.4 Humean projection: the indirect route. 8. Pragmatics and emotion - the challenges revisited: 8.1 Introduction; 8.2 Two challenges; 8.
2.1 Expressing and describing; 8.2.2 Propositions and ineffability; 8.3 Pragmatics and emotion - closing remarks.fability; 5.3 Two notions of relevance? 6. Beyond propositions: 6.
1 Introduction; 6.2 Affective effects; 6.2.1 Primary affective effects; 6.2.2 Secondary affective effects: emotion and poetry; 6.2.3 Affective effects and persuasion.
7. Emotion and evolution: 7.1 Introduction; 7.2 Creature construction; 7.2.1 Pirot #1: the sea-sponge; 7.2.1 Towards a sensorium: the direct route; 7.
2.3 Pirot #2: the lizard and emotion; 7.2.4 Humean projection: the indirect route. 8. Pragmatics and emotion - the challenges revisited: 8.1 Introduction; 8.2 Two challenges; 8.
2.1 Expressing and describing; 8.2.2 Propositions and ineffability; 8.3 Pragmatics and emotion - closing remarks.fability; 5.3 Two notions of relevance? 6. Beyond propositions: 6.
1 Introduction; 6.2 Affective effects; 6.2.1 Primary affective effects; 6.2.2 Secondary affective effects: emotion and poetry; 6.2.3 Affective effects and persuasion.
7. Emotion and evolution: 7.1 Introduction; 7.2 Creature construction; 7.2.1 Pirot #1: the sea-sponge; 7.2.1 Towards a sensorium: the direct route; 7.
2.3 Pirot #2: the lizard and emotion; 7.2.4 Humean projection: the indirect route. 8. Pragmatics and emotion - the challenges revisited: 8.1 Introduction; 8.2 Two challenges; 8.
2.1 Expressing and describing; 8.2.2 Propositions and ineffability; 8.3 Pragmatics and emotion - closing remarks. sensorium: the direct route; 7.2.3 Pirot #2: the lizard and emotion; 7.
2.4 Humean projection: the indirect route. 8. Pragmatics and emotion - the challenges revisited: 8.1 Introduction; 8.2 Two challenges; 8.2.1 Expressing and describing; 8.
2.2 Propositions and ineffability; 8.3 Pragmatics and emotion - closing remarks.