Preface and Acknowledgements 1. Introduction (Gesine Manuwald, UCL, and Victoria Moul, UCL, UK) 2. Lucy Nicholas (KCL / Warburg Institute, UK), 'The Sixteenth Century's Impact on Neo-Latin Baroque Rhetoric' 3. Javiera Lorenzini Raty (KCL, UK), 'Juvenalian Rage and Hermogenic Acrimonia: Scaliger's Poetices Libri Septem and Late Elizabethan Satire' 4. Patryk Ryczkowski (Universität Innsbruck, Switzerland): 'Verse Hagiography in the Baroque: The Case of St Casimir Jagiellon' 5. Tomas Riklius (Vilnius University, Lithuania), 'The Innovator of Baroque Literature: M. C. Sarbievius' De acuto et arguto ' 6.

Alison Shell (UCL, UK), 'Christ's Blood or Mary's Milk? "Clarus Bonarscius", Baroque Piety, and English Protestant Outrage' 7. Valérie Wampfler (University of Reims Champagne-Ardenne), 'An Example of Baroque Latinity through the Inclusion of Ancient Literary Models into Modern Thoughts: Claude-Barthélemy Morisot's Peruviana (1644)' 8. Stephen Harrison (University of Oxford, UK), 'Catullan literary friendship in Baroque Rome: Classicising hendecasyllables by Cardinal Maffeo Barberini (the future Pope Urban VIII)' 9. Beate Hintzen (Universität Bonn, Germany), 'A Circle of Poets at Leipzig and the Mannerism of their Latinity' 10. Jean David Eynard (University of Cambridge, UK), 'Milton and Battology: A New Early Modern Keyword' 11. Jan Bloemendal (Royal Netherlands Academy/Huygens Institute, Netherlands) / James Parente (University of Minnesota), 'What is a Baroque Tragedy?' 12. Eric Bianchi (Fordham University, USA), 'Asses at the Lyre: Latin as Musical Language, and the Benefits of Exclusion' 13. Adrian Horsewood (Royal Birmingham Conservatoire, UK), '"Verbis piis ac devotis": Non-Conformity in the Texts of Sacred Motets in 17th-Century Italy' Index.