Chapter 1. Introduction: Approaches To The Interface 1.1. 'Phonology' vs. 'Phonetics' 1.2. The Beginnings of the Dichotomy 1.3.
What is 'Real'? Phonological Structure vs. Phonetic Substance 1.4. Phonetics as Linguistics: Modularity 1.5. There Is No Interface: Phonology Without Phonetics and Phonetics Without Phonology 1.6. Organization of the Book: Questions at the Phonology/Phonetics Interface Chapter 2.
Categories And Contrasts 2.1. The Delimitation of Units 2.2. Orthography: Morpheme, Syllable, Segment 2.3. Phonetic Transcription 2.4.
Selecting the Inventory 2.5. The Building Blocks of Inventories: Phonetic Parameters and Phonological Features 2.6. Categories and Contrast in Signed Languages Chapter 3. Distinctive Feature Theory 3.1. Criteria 3.
2. Theories of Distinctive Features 3.3. What If There Is No Canon of Features? Chapter 4: The Derivation 4.1 Background and Antecedents 4.2. The SPE Model 4.3.
Non-Universal Phonetics 4.4. Lexical and Post-lexical Phonology 4.5. Phonological and Phonetic rules 4.6. A Porous Border? Chapter 5: Markedness, Naturalness And Abstraction 5.1.
What Is "Markedness"? 5.2. Natural and Unnatural Phonology 5.3. Optimality Theory 5.4. Phonetics in Phonology 5.5.
Evolutionary Phonology 5.6. Learning Biases 5.7. Conclusion Chapter 6. Suprasegmentals: Syllables, Stress And Phrasing 6.1 'Segmental' vs. 'Suprasegmental' 6.
2. The Syllable 6.3. Stress 6.4. The Phonological Word and Phrase Chapter 7. Intonation And Tone 7.1.
The Linguistic Uses of Pitch 7.2. Intonation 7.3. Tone Chapter 8. Articulatory Phonology 8.1. Towards an Articulatory Phonology 8.
2. Gestures as Units of Contrast 8.3. Alternation as Gestural Re-organization 8.4. Is All Phonology Articulatory Phonology? 8.5. Constraining Timing Relations: Coupled Oscillators 8.
6. Extending the Model Chapter 9. Speech Perception, Exemplar Theory, And The Mental Lexicon 9.1. Hearing and Speech Perception 9.2. Speech Perception Influences Phonology 9.3.
Phonology Influences Speech Perception 9.4. Units of Perception 9.5. Exemplar Theory 9.6. Perception and Representation Chapter 10. Conclusions And Directions For Further Research 10.
1. Questions and Some Possible Answers 10.2. Some Big Unanswered Questions 10.3. Directions for Future Research 10.4. Revisiting the Metaphors.