Full of lively personalities and striking anecdotes drawn from Brant''s thorough archival research, this book is a fascinating and comprehensive account. LSE REVIEW OF BOOKS Brant''s references to literary works will delight students of literature. ROMANTIK: JOURNAL FOR THE STUDY OF ROMANTICISMS An excellent book that will enrich the work of anyone working on the period. BRITISH SOCIETY FOR LITERATURE & SCIENCE Full of lively personalities and striking anecdotes.this book is a fascinating and comprehensive account. ISRAEL BOOK REVIEW Provides a rich, literary analysis of ballooning in Britain. AEROSPACE Brant''s investigation goes far beyond the classic balloon literature.A wealth of sources is deployed with a light touch.

TIMES LITERARY SUPPLEMENT This beguiling book is an absolute gem. Written with a lightness of touch that belies the weight and even magnitude of what it has to say, Balloon Madness has all the buoyancy and ludic unpredictability of the object at its centre. That object, is nothing more - or less - than the balloon itself, which emerges here as a comic epic hero of Enlightenment science and technology. Brant isolates three years in the 1780s when this remarkable invention, pioneered by the French and flamboyantly commandeered by an Italian, nonetheless captured the very specifically British imagination. Yet as she charts the balloon''s rise and fall in Britain, Brant also delivers a high-spirited micro-history of the Enlightenment itself: the balloon is a device for thinking - and, more important, imagining - that period''s boundless paradoxes and possibilities." Jayne Lewis, Professor of English, University of California, Irvine and author of Air''s Appearance: Literary Atmosphere in British Fiction, 1660-1794 object at its centre. That object, is nothing more - or less - than the balloon itself, which emerges here as a comic epic hero of Enlightenment science and technology. Brant isolates three years in the 1780s when this remarkable invention, pioneered by the French and flamboyantly commandeered by an Italian, nonetheless captured the very specifically British imagination.

Yet as she charts the balloon''s rise and fall in Britain, Brant also delivers a high-spirited micro-history of the Enlightenment itself: the balloon is a device for thinking - and, more important, imagining - that period''s boundless paradoxes and possibilities." Jayne Lewis, Professor of English, University of California, Irvine and author of Air''s Appearance: Literary Atmosphere in British Fiction, 1660-1794 object at its centre. That object, is nothing more - or less - than the balloon itself, which emerges here as a comic epic hero of Enlightenment science and technology. Brant isolates three years in the 1780s when this remarkable invention, pioneered by the French and flamboyantly commandeered by an Italian, nonetheless captured the very specifically British imagination. Yet as she charts the balloon''s rise and fall in Britain, Brant also delivers a high-spirited micro-history of the Enlightenment itself: the balloon is a device for thinking - and, more important, imagining - that period''s boundless paradoxes and possibilities." Jayne Lewis, Professor of English, University of California, Irvine and author of Air''s Appearance: Literary Atmosphere in British Fiction, 1660-1794 object at its centre. That object, is nothing more - or less - than the balloon itself, which emerges here as a comic epic hero of Enlightenment science and technology. Brant isolates three years in the 1780s when this remarkable invention, pioneered by the French and flamboyantly commandeered by an Italian, nonetheless captured the very specifically British imagination.

Yet as she charts the balloon''s rise and fall in Britain, Brant also delivers a high-spirited micro-history of the Enlightenment itself: the balloon is a device for thinking - and, more important, imagining - that period''s boundless paradoxes and possibilities." Jayne Lewis, Professor of English, University of California, Irvine and author of Air''s Appearance: Literary Atmosphere in British Fiction, 1660-1794 remarkable invention, pioneered by the French and flamboyantly commandeered by an Italian, nonetheless captured the very specifically British imagination. Yet as she charts the balloon''s rise and fall in Britain, Brant also delivers a high-spirited micro-history of the Enlightenment itself: the balloon is a device for thinking - and, more important, imagining - that period''s boundless paradoxes and possibilities." Jayne Lewis, Professor of English, University of California, Irvine and author of Air''s Appearance: Literary Atmosphere in British Fiction, 1660-1794.