"Opens a fascinating discourse on the undervalued artistic reception of prehistoric works in American 20th century art. This thoroughly researched book demonstrates not only the inspiration they had on modernist artists, but also how use of the controversial term "primitivism" was directly related to ethnographic and anthropological thought at the time." -- Thomas W. Gaehtgens, Director Emeritus, Getty Research Institute, USA "Meticulously researched and strikingly ambitious in its aims and range, Elke Seibert's study is a highly original contribution to our understanding of American modernism. Drawing on largely neglected material from a rich variety of sources - from anthropological debates in 1930s New York to the activities of the American Abstract Artist group - this book explores with brilliance and in impressive detail the impact that an exhibition of prehistoric art made on artists in the 1930s, a phenomenon that until now has been largely overlooked. Apart from its importance for the history of modern art, this is an enthralling case study in the relationship between prehistoric and 20th century art that will resonate with any art historian concerned with issues of artistic influence and appropriation across history." -- Malcolm Baker, Distinguished Professor Emeritus of Art History, University of California, Riverside, USA "An illuminating journey into the nexus where prehistoric art, emerging modernism and discourses of the indigenous intertwined and generated a new understanding of what American art could be. A lucid testament to the power of art across time.

" -- Annette Bhagwati, Director, The Museum Rietberg, Zürich, Switzerland.