"What artists don't know--but need to know--about how to participate in the amazing, expanding, impactful field of public art could fill a book! This is that book! Just open to any page, and you'll see why." --Jack Becker, founder of Forecast Public Art and Public Art Review "Essential reading for any dedicated artists seeking to make a living with their work, The Artist's Guide to Public Art is packed from cover to cover with information every artist needs to know." -- Midwest Book Review "Lynn Basa is a practitioner who knows the ins and outs of public art. The second edition of her book offers an additional chapter on how to make the leap into creating art in public places. The Artist's Guide to Public Art is a great resource recommended to anyone with an interest or stake in the field." --Christina Lanzl, director, Urban Culture Institute "Filled with both practical specifics and astute perceptions of the genre, I have found The Artist's Guide to Public Art to be an indispensable text for my public art class. This new edition updates changes within the field and makes it even more valuable as a text I can rely upon." --Jim Hirschfield, artist and professor of art, University of North Carolina-Chapel Hill "After reading this book, I immediately felt inspired and equipped to find and create opportunities for making art in the public realm.

Its contents are comprehensive, practical, and highly relevant to current practices. A must-have for anyone interested in public art." --Lynn Sondag, professor of art and design, Dominican University of California "Artists--read this book! It is full of stories and practical advice on how to navigate the public art world. This second edition keeps pace with the changes in public art processes and gives a rare objective look at the good and the not so good. Lynn's book provides a complete guide to making the leap from a studio artist to a public artist, putting together an application, a behind-the-scenes look at getting selected, and an understanding of contracts and copyright. It will help artists find their voice and even answer the question, 'Should I consider making public artwork in the first place?'" --Karen Rudd, manager, NorfolkArts "At the intersection of public art and public discourse, Basa paints with the finest of strokes." --Jason Vasser-Elong, arts advocate, poet, and author of Shrimp "This book is not just for artists! The anatomy of an RFQ was so helpful for me to really understand what the artist needs in a 'call to artists.'" --Cheryl Stewart, program coordinator and consultant - public art, Community Foundation of Greater Greensboro.