Table of Contents 1. Introduction to Celtic Art in Europe: making connections. Chris Gosden, Sally Crawford and Katharina Ulmschneider. 2. Once again, Herodotus, the Κελτο, the source of the Danube, and the Pillars of Hercules. John T. Koch. 3.
The Sheffield origins of Celtic Art. John Collis. 4. Theorie der keltischen Kunst. Ein Versuch. Felix Müller. 5. Les codes de représentation visuelle dans l''art celtique ancien.
Laurent Olivier. 6. Hidden faces and animal images on Late Iron Age and Early Roman horse harness decorated using the champlevé technique. Jennifer Foster 7. The human masks of unknown provenience. Mitja Gustin. 8. Heads, masks and shifting identities: a note about some Danubian kantharoi with anthropomorphic decoration.
Mariana Egri. 9. Off with their heads.! once again: images of daggers and severed heads on an Iberian falcata sword. Fernando Quesada Sanz. 10. A Celtic severed head, or Lazarus in the arms of Abraham? Natalie Venclová and Jan Royt. 11.
Zur Attachenzier der Schnabelkannen von Basse-Yutz. Otto-Herman Frey. 12. The not so ugly duckling - an essay on meaning. Flemming Kaul. 13. Fragments of a carnyx from Leisach (Austria). Paul Gleirscher.
14. Between ruling ideology and ancestor worship: the mos maiorum of the Early Celtic ''Hero Graves''. Thomas Stöllner. 15. Alfred and Alexander. John Boardman. 16. La fibule de Moscano di Fabriano: un jalon important de l''évolution de l''art celtique au IVe siècle avant J.
-C. Luana et Venceslas Kruta. 17. Zum Wenden: der Halsring aus Gehweiler-Oberlöstern im Saarland. Rudolf Echt. 18. Late Hallstatt and Early La Tène gold and silver beads in southeast Pannonia. Hrvoje Potrebica and Marco Dizdar.
19. East meets West. The stamped pottery from the La Tène cemetery at F'nt'nele-Dealul Popii (Transylvania, Romania). Aurel Rustoiu. 20. A vessel with stamped decoration from the Zeliezovce collection. Gertrúda Brezinová. 21.
Balkan Kantharoi. Petar Popovic. 22. La Tène and Przeworsk strap shield bosses from Poland. Tomasz Bochnak. 23. De l''anneau en bronze à têtes de béliers de Chermignac (Charente-Maritime) et de quelques pièces de harnais de La Tène finale de Gaule de l''Ouest. José Gomez de Soto.
24. A mould for Celtic-type rings from Sanzeno in the Valle di Non, Trentino. Franco Marzatico. 25. ''Leopold Bloom I'' and the Hungarian Sword Style. Paul Jacobsthal, with introduction by Katharina Ulmschneider and Sally Crawford. 26. The Celtic mercenary reconsidered.
Jan Bouzek. 27. The Dragon from Oberleiserberg. Maciej Karwowski. 28. A l''aube du IIIe s. av. J.
-C.: les fourreaux d''épée à décor estampe sur fer. Thierry Lejars. 29. ''.to boldly go where no man has gone before.'' Dedicated to Ruth and Vincent. Boris Kavur and Martina Blecic Kavur.
30. Art and Craftsmanship in elite-warrior graves: from Boii to Parisii and back again. Nathalie C. Ginoux and Peter C. Ramsl. 31. Ascot hats: an Iron Age leaf crown helmet from Lincolnshire. Andrew Fitzpatrick and Martin Schönfelder.
32. Snettisham swansong. I. M. Stead. 33. The Iron Age open-air ritual site at Hallaton, Leicestershire: some wider implications. Colin Haselgrove and Vicki Score.
34. Brit-art: Celtic Art in Roman Britain and on its Frontiers. Jody Joy. 35. Art in context: the massive metalworking tradition of north-east Scotland. Fraser Hunter. 36. The Torrs Chamfrein or Head-piece: restoring ''A very curious relic of antiquity''.
C. Stephen Briggs. 37. Vincent, in appreciation. Mansel Spratling.