"It's a delight to have Jordan E. Cooper kick down the door of Broadway in heels and storm onstage with something as raucous as Ain't No Mo'. The show's whirligig satire seems to gain momentum by sending up its very environs, a series of sketches built around a recurring conceit wherein Cooper, in drag as a flight attendant named Peaches, desperately tries to coordinate the onboarding for a government-funded flight taking Black Americans back to Africa." --Vulture "Ain't No Mo' . bursts with confidence. It is confident in its voice, in its beliefs, in its artistry, in its wicked humor and angry pain--or pain-laden anger." --New York Times "Ain't No Mo' wrangles rhetorical fantasy into a rollicking, high-concept sitcom, mining dark comedy from the horrors of racism and the particulars of Black life. Explosive as a hand grenade of laughing gas, it's heady and hysterical and fearlessly provocative.

Its keen observations about race as both social construction and lived reality crackle like a lit fuse." --Variety.