Introduction: Tom Whittaker and Sarah Wright 1. Rey Chow, The Writing Voice in Cinema: A Preliminary Discussion, Rey Chow 2. Jennifer Fleeger, Tito Schipa, Italian Film Sound, and Opera's Legacy on Screen 3. Christine Ehrick, The Voice of Argentina: Gender, Humour and the National Soundscape in the Film Comedy of Niní Marshall 4. Pavitra Sundar, Gender, Bawdiness, and Bodily Voices: Bombay Cinema's Audiovisual Contract and the 'Ethnic' Woman 5. Colleen Montgomery, Double Doublage: Vocal Performance in the French Dubbed Versions of Pixar's Toy Story and Cars 6. Rayna Denison ,Anime's Star Voices: Voice Actor (Seiyu) Performance and Stardom in Japan 7. Tom Whittaker, Woody's Spanish "Double": Vocal Performance, Ventriloquism and the Sound of Dubbing 8.

Tessa Dwyer, Mad Max, Accented English and Same-Language Dubbing 9. Catherine O'Rawe, Anna Magnani: Voice, Body, Accent 10. Lisa Shaw. Carmen Miranda's Voice in Hollywood 11. Nessa Johnston. "Feeling the Voice: Embodied Aural Encounters in Under the Bombs (Philippe Aractangi, 2007) 12. Alexander Fisher. Vocal Spaces and Oral Traces: Voice, Orality, and Ousmane Sembene's Early Postcolonial Critique 13.

Negar Mottadeheh. Crude Extractions: The Voice in Iranian Cinema 14. Sarah Wright, "Spectral Voices and Resonant Bodies in Fernando Guzzoni's Dogflesh (Carne de perro, 2012) 15. Nikki J. Y. Lee and Julian Stringer, Snowpiercer: Sound Designable Voices and the South Korean Global Film 16. Albertine Fox, Performing Through Space: overflow, displacement, and the voice in Keep Your Right Up: A Place on Earth (Jean-Luc Godard, 1987) 17. Davina Quinlivan.

A Dark and Shiny Place': the Disembodied Female Voice, Irigarayan Subjectivity and the 'Political Erotics' of Hearing Her (Spike Jonze, 2013).