Preface and Acknowledgements Introduction: The Mid-Century Celluloid Museum, Steven Jacobs (Ghent University & Antwerp University, Belgium) & Dimitrios Latsis ( Toronto Metropolitan University, Canada) 1. The Institutional Breeding Grounds of the Postwar Film on Art, Birgit Cleppe (Ghent University, Belgium) 2. American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War, Dimitrios Latsis ( Toronto Metropolitan University, Canada) 3. Art History with a Camera: Rubens (1948) and Paul Haesaerts's Concept of Cinéma Critique , Steven Jacobs (Ghent University & Antwerp University, Belgium) & Joséphine-Charlotte Vandekerckhove (Ghent University, Belgium & Verona University, Italy) 4. Carlo Ludovico Ragghianti's Critolfims and Beyond: From Cinema to Information Technology, Emanuele Pellegrini ( IMT School for Advanced Studies, Italy) 5. André Bazin's Art Documentary in Saintonge, Angela Dalle Vacche ( Georgia Institute of Technology, USA) 6. Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke's The Photographer , Natasha Ritsma ( Loyola University Museum of Art, USA) 7. Henry Moore and A Sculptor's Landscape : Modernity, the Land and the Bomb in Two Television Films by John Read, John Wyver ( University of Westminster, UK) 8.

Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953), Lucy Reynolds ( University of Westminster, UK) 9. Neoplasticism and Cinema: Ilya Bolotowsky's Experimental Films on Art, Henning Engelke ( Goethe University Frankfurt, Germany) Mid-Twentieth-Century Art Documentaries: A Selected Bibliography About the Authors Index.