What exactly is audio editing? Chapter One: Audio Editing 101 Chapter Two: The Different Aims Of Audio Editing Section One: Corrective Editing Chapter Three: Cutting, Copying, Pasting and Moving Chapter Four: Fades and Crossfades Chapter Five: Level Control Chapter Six: Tonal Matching Chapter Seven: Comping and Alternate Takes Chapter Eight: Multi-track Comping Chapter Nine: Transient Detection Section Two: Creative Editing Chapter Ten: Beat-mapping and Recycling Chapter Eleven: Drum Replacement Chapter Twelve: Time-stretching Chapter Thirteen: Elastic Audio (Time) Chapter Fourteen: Pitch Shifting -Section Three: Restorative Editing Chapter Fifteen: Editing In The Third Dimension Chapter Sixteen: Spectral Editing Chapter Seventeen: Applications of Audio Restoration Chapter Eighteen: Demixing Chapter Nineteen: Thinking Outside The Box Beat-mapping and Recycling Chapter Eleven: Drum Replacement Chapter Twelve: Time-stretching Chapter Thirteen: Elastic Audio (Time) Chapter Fourteen: Pitch Shifting -Section Three: Restorative Editing Chapter Fifteen: Editing In The Third Dimension Chapter Sixteen: Spectral Editing Chapter Seventeen: Applications of Audio Restoration Chapter Eighteen: Demixing Chapter Nineteen: Thinking Outside The Box.
Digital Audio Editing : Correcting and Enhancing Audio in Pro Tools, Logic Pro, Cubase, and Studio One