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Copyright : Best Practices for Academic Libraries
Copyright : Best Practices for Academic Libraries
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Author(s): Ferullo, Donna
Ferullo, Donna L.
ISBN No.: 9781538168219
Pages: 257
Year: 202309
Format: Trade Cloth (Hard Cover)
Price: $ 89.70
Dispatch delay: Dispatched between 7 to 15 days
Status: Available

Donna L. Ferullo is a professor and director of the University Copyright Office at Purdue University. She advises the University on copyright compliance issues and is responsible for educating the University community on their rights and responsibilities under the copyright law. Ms. Ferullo holds a doctor of jurisprudence degree from Suffolk University Law School; a masters of library science degree from the University of Maryland; and a bachelor of arts degree in communications from Boston College. Ms. Ferullo is a member of the Massachusetts Bar, Indiana Bar and the United States Supreme Court Bar. She has also published articles, a book entitled "Managing Copyright in Higher Education" and given many presentations on copyright and its impact on higher education and libraries.


Dwayne K. Buttler has served as the first Evelyn J. Schneider Endowed Chair for Scholarly Communication at the University of Louisville since 2002 and is a professor in University Libraries. Most of his teaching, work, and writing concentrates on copyright, licensing, digital technology, open access, 1st Amendment and related legal and policy concerns arising in teaching, learning, and scholarly communication. He earned BA in telecommunications from Indiana University Purdue University Indianapolis and a doctor of jurisprudence (J.D.) degree from the Indiana University School of Law - Indianapolis, returning to law school after working for over a decade as a video/filmmaker in documentary, advertising, and other media productions. The creative arts implicated myriad legal questions and foreshadowed the then nascent rise of now ubiquitous digital technologies.


Dwayne also worked at the Copyright Management Center at IUPUI, which was one of the first library centered copyright and related policy efforts in the U.S. throughout the mid to late 1990''s, and has taught mass communication law at the University of Louisville since joining the library faculty in 2002. Dwayne has led many, many workshops, invited presentations, and discussions over the last two decades focusing on copyright, scholarly communication, and information policy for audiences of administrators, faculty, librarians, and scholars within the library and higher education communities nationally and internationally. He has also frequently participated in various studies and roundtables held by the U.S. Copyright Office since the late 1990s addressing issues of crucial importance to libraries and the future of copyright law. g, work, and writing concentrates on copyright, licensing, digital technology, open access, 1st Amendment and related legal and policy concerns arising in teaching, learning, and scholarly communication.


He earned BA in telecommunications from Indiana University Purdue University Indianapolis and a doctor of jurisprudence (J.D.) degree from the Indiana University School of Law - Indianapolis, returning to law school after working for over a decade as a video/filmmaker in documentary, advertising, and other media productions. The creative arts implicated myriad legal questions and foreshadowed the then nascent rise of now ubiquitous digital technologies. Dwayne also worked at the Copyright Management Center at IUPUI, which was one of the first library centered copyright and related policy efforts in the U.S. throughout the mid to late 1990''s, and has taught mass communication law at the University of Louisville since joining the library faculty in 2002. Dwayne has led many, many workshops, invited presentations, and discussions over the last two decades focusing on copyright, scholarly communication, and information policy for audiences of administrators, faculty, librarians, and scholars within the library and higher education communities nationally and internationally.


He has also frequently participated in various studies and roundtables held by the U.S. Copyright Office since the late 1990s addressing issues of crucial importance to libraries and the future of copyright law.s, and discussions over the last two decades focusing on copyright, scholarly communication, and information policy for audiences of administrators, faculty, librarians, and scholars within the library and higher education communities nationally and internationally. He has also frequently participated in various studies and roundtables held by the U.S. Copyright Office since the late 1990s addressing issues of crucial importance to libraries and the future of copyright law.g, work, and writing concentrates on copyright, licensing, digital technology, open access, 1st Amendment and related legal and policy concerns arising in teaching, learning, and scholarly communication.


He earned BA in telecommunications from Indiana University Purdue University Indianapolis and a doctor of jurisprudence (J.D.) degree from the Indiana University School of Law - Indianapolis, returning to law school after working for over a decade as a video/filmmaker in documentary, advertising, and other media productions. The creative arts implicated myriad legal questions and foreshadowed the then nascent rise of now ubiquitous digital technologies. Dwayne also worked at the Copyright Management Center at IUPUI, which was one of the first library centered copyright and related policy efforts in the U.S. throughout the mid to late 1990''s, and has taught mass communication law at the University of Louisville since joining the library faculty in 2002. Dwayne has led many, many workshops, invited presentations, and discussions over the last two decades focusing on copyright, scholarly communication, and information policy for audiences of administrators, faculty, librarians, and scholars within the library and higher education communities nationally and internationally.


He has also frequently participated in various studies and roundtables held by the U.S. Copyright Office since the late 1990s addressing issues of crucial importance to libraries and the future of copyright law.g, work, and writing concentrates on copyright, licensing, digital technology, open access, 1st Amendment and related legal and policy concerns arising in teaching, learning, and scholarly communication. He earned BA in telecommunications from Indiana University Purdue University Indianapolis and a doctor of jurisprudence (J.D.) degree from the Indiana University School of Law - Indianapolis, returning to law school after working for over a decade as a video/filmmaker in documentary, advertising, and other media productions. The creative arts implicated myriad legal questions and foreshadowed the then nascent rise of now ubiquitous digital technologies.


Dwayne also worked at the Copyright Management Center at IUPUI, which was one of the first library centered copyright and related policy efforts in the U.S. throughout the mid to late 1990''s, and has taught mass communication law at the University of Louisville since joining the library faculty in 2002. Dwayne has led many, many workshops, invited presentations, and discussions over the last two decades focusing on copyright, scholarly communication, and information policy for audiences of administrators, faculty, librarians, and scholars within the library and higher education communities nationally and internationally. He has also frequently participated in various studies and roundtables held by the U.S. Copyright Office since the late 1990s addressing issues of crucial importance to libraries and the future of copyright law.s, and discussions over the last two decades focusing on copyright, scholarly communication, and information policy for audiences of administrators, faculty, librarians, and scholars within the library and higher education communities nationally and internationally.


He has also frequently participated in various studies and roundtables held by the U.S. Copyright Office since the late 1990s addressing issues of crucial importance to libraries and the future of copyright law.s, and discussions over the last two decades focusing on copyright, scholarly communication, and information policy for audiences of administrators, faculty, librarians, and scholars within the library and higher education communities nationally and internationally. He has also frequently participated in various studies and roundtables held by the U.S. Copyright Office since the late 1990s addressing issues of crucial importance to libraries and the future of copyright law.g, work, and writing concentrates on copyright, licensing, digital technology, open access, 1st Amendment and related legal and policy concerns arising in teaching, learning, and scholarly communication.


He earned BA in telecommunications from Indiana University Purdue University Indianapolis and a doctor of jurisprudence (J.D.) degree from the Indiana University School of Law - Indianapolis, returning to law school after working for over a decade as a video/filmmaker in documentary, advertising, and other media productions. The creative arts implicated myriad legal questions and foreshadowed the then nascent rise of now ubiquitous digital technologies. Dwayne also worked at the Copyright Management Center at IUPUI, which was one of the first library centered copyright and related policy efforts in the U.S. throughout the mid to late 1990''s, and has taught mass communication law at the University of Louisville since joining the library faculty in 2002. Dwayne has led many, many workshops, invited presentations, and discussions over the last two decades focusing on copyright, scholarly communication, and information policy for audiences of administrators, faculty, librarians, and scholars within the library and higher education communities nationally and internationally.


He has also frequently participated in various studies and roundtables held by the U.S. Copyright Office since the late 1990s addressing issues of crucial importance to libraries and the future of copyright law.s, and discussions ov.


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