Much as Juan García Esquivel (1918-2002) made a great contribution to music history, this title is an important addition to music biography collections. Beginning with Tampico, Mexico, the text and illustrations work together to showcase how a world filled with sound influenced and inspired a young Esquivel and continued to do so throughout his life. Esquivel is shown listening to "whirling" mariachi bands, modifying a player piano to suit his own compositions, experimenting with unusual instruments like the theremin, and conducting musicians in unique and unprecedented ways. The text explores how Esquivel''s love of sound led to new ways of making music, most notably in his pioneering of stereo sound and lounge music. Tonatiuh''s illustrations are lively and colorful---a perfect match for Esquivel''s personality and work. Occasional blocks of text make this title best suited for upper elementary students. Back matter includes an author''s note expanding on Esquivel''s influence and an illustrator''s note on how the art was created. A beautiful addition to music biography collections for upper elementary students.
- School Library Journal , starred review Wood and Tonatiuh combine to tell the story of a musician and composer kids have likely never heard of. At 6, Juan García Esquivel figured out how to disable the paper roll in his family''s player piano, leaving him free to experiment and learn how to play the instrument himself. This spirit of experimentation never left Juan, who went on to become a pioneer in a quirky, innovative style of lounge music popular in the 1950s and ''60s. Esquivel!, as he became known, combined Latin rhythms, jazz, human voices, and unusual instruments in order to create unique musical textures and effects. During his career, Juan became popular in both Mexico and the United States, and he wrote many songs for TV shows and movies. The narrative presents the biographical facts of Juan''s life in an engaging and accessible manner. Young readers who have never before heard of this musician may find their curiosity piqued. However, it is Tonatiuh''s illustrations that truly spark the imagination.
Tonatiuh employs his signature style of Mixtec codex-influenced design, combines it with playful tributes to the fashion and style of the 1960s, sprinkles in text blocks of onomatopoeia that seem to vibrate on the page, and fills in the empty areas with a watery mix of purples and blues that perfectly complements the spacey style expressed in the music. A lively introduction to a somewhat obscure and profoundly innovative musical figure. - Kirkus Reviews Juan Garcia Esquivel created out-of-this-world sounds, and Wood (formerly VanHecke) and Tonatiuh capture the fascinating story of Esquivel''s musical talent in this picture-book biography. Esquivel was a young boy in Tampico, Mexico, when he discovered his love for music. He taught himself to play the piano, and before he knew it he was conducting orchestras and composing music. Esquivel is revered for his innovative sounds that were said to transport listeners to other worlds. His music was so popular that his fans donned him Esquivel!--with an exclamation point! Wood''s story provides insight to the making of a magnificent musician and incorporates enough sound effects ( wheedy-whee! , blap! , bowm-bowm! ) to make Esquivel proud. Energetic collage illustrations complement the text by allowing readers to see Esquivel''s sounds and his love for music.
Sibert Award winner Tonatiuh ( Funny Bones , 2015) draws in his well-known style inspired by the Mixtec codex, where characters are represented in profile. Back matter includes an author''s note with supplementary information on Esquivel''s life, an illustrator''s note on the artwork, and additional resources. - Booklist Written by Susan Wood Illustrated by Duncan Tonatiuh Charlesbridge Category: Juvenile Nonfiction - Biography & Autobiography - Music; Juvenile Nonfiction - People & Places - United States - Hispanic & Latino Format: Hardcover, 32 pages On Sale Date: September 2016 Price US: $17.95 ISBN: 9781580896733 Also available as an eBook and an eBook. Reviews. Much as Juan García Esquivel (1918-2002) made a great contribution to music history, this title is an important addition to music biography collections. Beginning with Tampico, Mexico, the text and illustrations work together to showcase how a world filled with sound influenced and inspired a young Esquivel and continued to do so throughout his life. Esquivel is shown listening to "whirling" mariachi bands, modifying a player piano to suit his own compositions, experimenting with unusual instruments like the theremin, and conducting musicians in unique and unprecedented ways.
The text explores how Esquivel''s love of sound led to new ways of making music, most notably in his pioneering of stereo sound and lounge music. Tonatiuh''s illustrations are lively and colorful---a perfect match for Esquivel''s personality and work. Occasional blocks of text make this title best suited for upper elementary students. Back matter includes an author''s note expanding on Esquivel''s influence and an illustrator''s note on how the art was created. A beautiful addition to music biography collections for upper elementary students. - School Library Journal, starred review Wood and Tonatiuh combine to tell the story of a musician and composer kids have likely never heard of. At 6, Juan García Esquivel figured out how to disable the paper roll in his family''s player piano, leaving him free to experiment and learn how to play the instrument himself. This spirit of experimentation never left Juan, who went on to become a pioneer in a quirky, innovative style of lounge music popular in the 1950s and ''60s.
Esquivel!, as he became known, combined Latin rhythms, jazz, human voices, and unusual instruments in order to create unique musical textures and effects. During his career, Juan became popular in both Mexico and the United States, and he wrote many songs for TV shows and movies. The narrative presents the biographical facts of Juan''s life in an engaging and accessible manner. Young readers who have never before heard of this musician may find their curiosity piqued. However, it is Tonatiuh''s illustrations that truly spark the imagination. Tonatiuh employs his signature style of Mixtec codex-influenced design, combines it with playful tributes to the fashion and style of the 1960s, sprinkles in text blocks of onomatopoeia that seem to vibrate on the page, and fills in the empty areas with a watery mix of purples and blues that perfectly complements the spacey style expressed in the music. A lively introduction to a somewhat obscure and profoundly innovative musical figure. - Kirkus Reviews Juan Garcia Esquivel created out-of-this-world sounds, and Wood (formerly VanHecke) and Tonatiuh capture the fascinating story of Esquivel''s musical talent in this picture-book biography.
Esquivel was a young boy in Tampico, Mexico, when he discovered his love for music. He taught himself to play the piano, and before he knew it he was conducting orchestras and composing music. Esquivel is revered for his innovative sounds that were said to transport listeners to other worlds. His music was so popular that his fans donned him Esquivel!--with an exclamation point! Wood''s story provides insight to the making of a magnificent musician and incorporates enough sound effects ( wheedy-whee! , blap! , bowm-bowm! ) to make Esquivel proud. Energetic collage illustrations complement the text by allowing readers to see Esquivel''s sounds and his love for music. Sibert Award winner Tonatiuh ( Funny Bones , 2015) draws in his well-known style inspired by the Mixtec codex, where characters are represented in profile. Back matter includes an author''s note with supplementary information on Esquivel''s life, an illustrator''s note on the artwork, and additional resources. - Booklist Wood ( Under the Freedom Tree ) and Tonatiuh ( Funny Bones ) team up to recount the life of Juan Garcia Esquivel (1918-2002), who grew up with music in Mexico, "where whirling mariachi bands let out joyful yells as they stamped and strummed," and made it his life''s work as a bandleader and composer.
Tonatiuh''s Mexican-art-inspired collages translate smoothly to the 1950s and ''60s, when Esquivel was at the height of his creative output, creating lounge music using newly developed stereo recording technology. Wood''s straightforward narration moves readers briskly through the musician''s life, and her descriptions of the sounds he developed ("like a crazy rocket ride zigzagging through outer space") should lead many of them to seek out recordings of his work. It''s a welcome tribute to an underrated figure in 20th century music. A Spanish-language edition is available simultaneously. - Publishers Weekly A kid''s got to be careful in admitting a taste for grandparents'' music. Mick Jagger is acceptable, and Aretha Franklin''s not too embarrassing--and as Wood and Tonatiuh demonstrate in this picture-book biography, being part of Juan Garcia Esquivel fandom could be insanely cool. An autodidact at the piano, Esquivel had landed a modest piano gig on a Mexico City radio station by age fourteen and led a radio orchestra by age seventeen. With a keen ear attuned to urban soundscapes, he played fast and loose with popular Mexican tunes, lacing them with a kind of instrumental take on vocal scat that made him a recording star in both Mexico and the United States.
Wood describes not only the quirkiness of his inst.