Introduction: Pulping Fictions: Consuming Culture Across the English/Media Divide by Imelda Whelehan and Deborah Cartmell (de Montfort University, Leicester)1. 'Vanishing' Worlds: Film Adaptation and the Mystery of the Original by John O. Thompson (University of Wales, Cardiff)2. The Vampire Writes Back: Anne Rice and the (Re)Turn of the Author in the Field of Cultural Production by Ken Gelder (de Montfort University, Leicester)3. Is s/he or isn't s/he?: Screening Orlando by Nicola Shaughnessy (Worcester College of Higher Education)4. Feminist Sympathies Versus Masculine Backlash: Kenneth Branagh's Mary Shelley's Frankenstein by Heidi Kaye (de Montfort University) 5. The Henry V Flashback: Kenneth Branagh's Shakespeare by Deborah Cartmell (de Montfort University, Leicester)6. Consuming Middlemarch: the construction and consumption of nostalgia in Stamford by Jenny Rice and Carol Saunders (de Montfort University, Leicester)7.

Pleasure and Interpretation: Film Adaptations of Angela Carter's Fiction by Catherine Neale (Worcester College of Higher Education)8. Capitalism Most Triumphant: Bill & Ted's Excellent History Lesson by I.Q. Hunter (de Montfort University) 9. Robin Hood: Men in Tights: fitting the Tradition Smugly by Stephen Knight (University of Cardiff10. Pulpmodernism: Tarantino's Affirmative Action by Peter Brooker (Nene College) and Will Brooker (West Kent College, Tonbridge)Index.