The London Stage 1920-1929 : A Calendar of Productions, Performers, and Personnel
The London Stage 1920-1929 : A Calendar of Productions, Performers, and Personnel
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Author(s): Wearing, J. P.
ISBN No.: 9780810893016
Edition: Revised
Pages: 1,034
Year: 201403
Format: Trade Cloth (Hard Cover)
Price: $ 404.68
Dispatch delay: Dispatched between 7 to 15 days
Status: Available (On Demand)

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1920 1929: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London productions from the first of January, 1920, through the 31st of December, 1929. The volume chronicles more than 4,000 productions at 51 major central London theatres during this period. For each production the following information is provided: .Title .


Author .Theatre .Performers .Personnel .Opening and Closing Dates .Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information about the production, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Bulldog Drummond, The Emperor Jones, The Enchanted Cottage, Gentlemen Prefer Blondes, Hay Fever, Saint Joan, Six Characters in Search of an Author, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics.


A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material in particular, information of adaptations and translations, plot sources, and comment information is new. Arranged chronologically, the productions are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1920-1929 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.


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