Formed by a group of young architects, photographers, and psychologists in the Venice Beach of the late 1960s, Environmental Communications honed an image practice that constituted a new visual syntax for the late twentieth century city. The group speculated that their "environmental photography" would alter architecture and transform the consciousness of architecture students by way of the ubiquitous architecture slide library. Through their media experiments, events, and slide catalogs, they positioned themselves as interpreters and purveyors of new trends, assembling a lively body of populist and radical design imagery that undermined the canons defined by the prevailing institutions of architectural design. In reproducing the group's photography, booklets, and ephemera, Environmental Communications: Contact High records and critically reflects upon the work of this West Coast media collective.