"Just the other day, I received the ultimate opus, Chris Ware: Monograph (Rizzoli), and tore through it knowing that this extra tall, super heavy, inspiringly printed volume (with a few surprisingly tipped in comic book gems) was going to take up a lot of my free time." -- Imprint.com "A flabbergasting experiment in publishing hubris, Monograph charts the art and literary world's increasing tolerance for the language of the empathetic doodle directly through the work of one of its most esthetically constipated practitioners." -- Kottke.com "The noted artist, collector, and visionary offers a personal anthology/memoir, complete with junior high photos and memories of the cul-de-sacs of Omaha. "Does the world really need another printed tome about an artist, let alone one about an admittedly marginal and rather questionable graphic novelist/artist/writer who has already littered the recycling centers and used bookstores of his home country with dog-eared examples of his own self-regard?" So asks Ware ( Building Stories , 2012, etc.), deep into a collection whose Greek-derived and "somewhat self-referential" title speaks to his usual custom: writing alone, tucked away in a dark corner with pens and books. NPR host Ira Glass, who provides the preface, got him out of the house a few years ago, Ware writes, and the exposure helped him become better known to readers, but it wasn't as if he was a hermit.

He worked as a newspaper cartoonist, a graphic artist, an illustrator, and, as he writes, learned on the job to be a social being and to pay attention to deadlines and requirements, all good things for a budding artist to know. Throughout, Ware peppers his narrative with other lessons he's learned along the way: about technique, the history of art, the links between cartoons and cinema, and yes, about life, aging, and so forth ; it's good to change your horizons and see the world, as he reckons, because "artists don't develop in a vacuum." The oversized book is overstuffed with art, each page spread containing numerous images, cartoon strips, sketches, mockups, snapshots, scrapbook items, and other such treasures that will be of immense appeal to fans of Krazy Kat and Joseph Cornell alike . The text is as smart and illuminating as the images, and Ware has wise things to say everywhere along the way. This collection has a last-word feel to it, offering a delightful summation of a fruitful and very busy last few decades. Fans, of course, will want much more, but this makes a great start. -- Kirkus Reviews " Monograph is a coffee-table comic book featuring a mixture of Mr Ware's life's work, from his most recognisable characters Quimby the Mouse and Jimmy Corrigan the Smartest Boy In the World, to iconic New Yorker covers, as well as some never-before-seen sketches from the beginnings of his career , and biographical elements in the form of photographs from the artist's childhood." -- Mr.

Porter.