In this new book, John Walker offers a radical reassessment of the German realist novel in the nineteenth century. German narrative realism has persistently been interpreted as the literary expression of an 'ideology of the aesthetic'. The German realist novel is alleged to reflect philosophical idealism: to reject the 'prose' of modern society in favour of the 'poetry' of the inner aesthetic life. This book challenges that received view. Walker argues that German narrative realism should be read not only in relation to, but in crucial respects against, the dominant philosophical idiom of nineteenth century Germany. German narrative realism often functions as a critique of the idea and ideology of inwardness in nineteenth century German culture. To understand this, we must reread German realist novels especially as narratives, not as the supposed reflection of philosophical categories. The core of the book is a close reading of eight of the best known realist novels in German by Keller, Raabe and Fontane.

This reading shows how the German realist novel, far from transposing the assumptions of aesthetic idealism into narrative form, exposes the real consequences of those assumptions in the culture and society of its time. Book jacket.