List of Illustrations, Table and Graph vii Acknowledgements ix Contributors xi The Europeanness of European Cinema: An Overview 1 Mary Harrod, Mariana Liz and Alissa Timoshkina Section 1 Defining Europe and Its Cinema 1 European Cinema into the Twenty-First Century: Enlarging the Context? 17 Thomas Elsaesser 2 Popular European Cinema in the 2000s: Cinephilia, Genre and Heritage 33 Tim Bergfelder 3 Changing the Image of Europe? The Role of European Co-Productions, Funds and Film Awards 59 Anne J¨ackel 4 From European Co-Productions to the Euro-Pudding 73 Mariana Liz 5 Christianity and European Film 87 Catherine Wheatley 6 The Feather Collectors: Erased Identity and Invisible Representations of the Roma in Yugoslav Cinema 101 Greg De Cuir Jr. Section 2 Transnational Europe: Genre, Stardom and Language 7 The Trouble with Stars: Vernacular versus Global Stardom in Two Forms of European Popular Culture 117 Olof Hedling 8 Juliette Binoche: The Perfect European Star 131 Ginette Vincendeau 9 Franglais, Anglais and Contemporary French Comedy 145 Mary Harrod 10 Laughing in Tongues: Polyglot Comedy in Europe 159 Alison Smith 11 The Use of English in European Feature Films: Unity in Diversity? 173 La¨etitia Kulyk Section 3 Circulating Europeanness 12 Paris je t?aime (plus): Europhobia as Europeanness in Luc Besson and Pierre Morel?s Dystopia Trilogy 185 Neil Archer 13 Hollywood and Europe: Remaking The Girl with the Dragon Tattoo 199 Lucy Mazdon 14 Spanish Heritage Cinema 213 Sally Faulkner 15 From Russia to Europe and Back: East Meets West in the Films of Pavel Lungin 227 Alissa Timoshkina Bibliography 241 Index 259 vi.