The first detailed analysis of Gothic literature and trauma in World War One Explores how the Gothic shaped, and controlled, cultural anxieties about the war Provides a unique critical revision of the figure of the ghost across a wide range of literature from the period Draws on the Imperial War Museum's archives (including accounts of the war by less-well-known figures such as Jack Martin and Ronald Skirth) Critically complicates the view of the Gothic as articulating, rather than containing, trauma This book examines how the representation of the ghost-soldier in literature published between 1914-1934, both marks the presence of trauma and attempts to make sense of it. Andrew Smith examines short stories, novels, poems and memoirs that employ ghosts to reflect upon feelings of loss, paralleling the literary context with accounts of shell-shock which construe the damaged soldier as psychologically missing and therefore spectre-like. The author argues that literary and non-literary texts repeatedly deploy a form of the uncanny, familiar from a Gothic tradition, as a way of reflecting upon grief. In support of this claim, he draws on fiction by well-known authors such as M. R. James, E. F. Benson, Dorothy L.

Sayers, and Dennis Wheatley, alongside largely forgotten contributions to The Strand and other periodical publications such as The Occult Review .