"Transatlantic Broadway examines a wide range oftheatrical media, tracing their circuits through Europe and the United Statesand considering the ways that they establish communities. Though the bookwill be most immediately valuable to scholars of performance and mobility, itwill also be useful to mobility studies scholars interested in media, business,and urban geography." (Sunny Stalter-Pace, Transfers Review, Vol. 5 (3), Winter,2015) 'As she traces the transatlantic passage of ocean liners, telegrams, producers, artists and objects, Marlis Schweitzer reshapes our understanding of the Broadway theatre wars of the Gilded Age. Sophisticated, impressively readable, and impeccably researched, this is theatre history at its best.' - Alan Filewod, University of Guelph, Canada 'Schweitzer's compelling study shifts scholarly inquiry away from the traditional space-bound landscape of Broadway and offers a long-overdue investigation of the transnational reach of Broadway's theatrical productions. With impressive archival research and riveting prose, Transnational Broadway characterizes early twentieth-century theatre as a machine that manufactured a powerful cultural imaginary in the deployment of American Empire. Transatlantic Broadway also uniquely examines the infrastructural politics of theatre, including interactions between human and non-human actors, such as the rise of the telegraph, office technologies, transnational ocean liners, economic booms (and crashes), and geo-political moments.

Schweitzer's impressive theoretical framing and global focus make this a ground-breaking work for scholars and students alike!' - Katie N. Johnson, Miami University, USA.