Diana Damian Martin is a Senior Lecturer in Performance Arts at the Royal Central School of Speech and Drama, London, UK. She leads the BA (Hons) Experimental Arts and Performance course, and is also a researcher and educator. Her work concerns alternative critical practices, queer and transnational feminist modes of exchange, experimental performance and political organising, as well as migration, with a focus on 'Eastern Europe'. She explores the inter-relation between migration, ecologies of knowledge and regimes of power and has published in Performance Philosophy, TDR/The Drama Review, Contemporary Theatre Review, Theatre, Dance and Performance Training, RiDE as well as co-authored a number of creative publications including States of Wake: Dedicating Performance (2020) and Critical Interruptions Vol 1 (2020). She co-hosts The Department of Feminist Conversations and Something Other, Serbo-Romanian critical cooperative Critical Interruptions and Migrants in Culture, a migrant-led agency moving towards our collective capacity to imagine and live without borders.
Dead at Last, at Last No More Air