"This study makes a vigorous case for the continually growing analytical possibilities of dance studies and demonstrates the richness it can find in German studies." -- Wesley Lim, Australian National University, German Studies Review "Exquisitely researched, Ruprecht's study enhances our understanding not only of Nijinsky, Wigman, Kreutzberg, and lesser known choreographers such as Niddy Impekoven and the Sakharoffs, but also the film theorist Béla Balázs and the sociologist Helmuth Plessner, both of whom approached gesture as a magnet for natural expression and its crisis. Ruprecht shows us how the gestural in dance can be seen as simultaneously a symptom of loss and a promise of renewal, an evacuation of meaning and the advent of critique." -- Carrie Noland, author of Agency and Embodiment and Merce Cunningham: After the Arbitrary "In this erudite and beautifully researched study, Ruprecht constructs a dialog between dance as action and philosophical and cultural theory, treating both choreography and textual theory as having equal weight and equal capacity to elucidate a given socio-political moment. Through her visionary pursuit of gesture, as a rupture in the ongoing rhythm of events, Ruprecht adds significantly to our repertoire of methods for analyzing dance and also places it in conversation with broader cultural developments in the early twentieth century." -- Susan Leigh Foster, Distinguished Professor, UCLA "Ruprecht's study of dance and gesture does not just draw on philosophy, principally the writings of Walter Benjamin, it comprises a brilliant study of the medium of dance while simultaneously making a profound contribution to both dance studies and the philosophy of art. This is a work to be celebrated." -- Andrew Benjamin, Anniversary Professor of Philosophy and the Humanities, Kingston University.