Acknowledgements * Introduction *Part One: Theories and forms: Documentary as genre* The voice of documentary--Bill Nichols * The image mirrored: Reflexivity and the documentary film--Jay Ruby * Television, documentary and the category of the aesthetic--John Corner * Mirrors without memories: Truth, history and the New Documentary--Linda Williams *Part Two: The inside view: Producers and directors* The Canadian Film Board Unit B--D.B. Jones * An interview with Emile de Antonio--Gary Crowdus and Dan Georgakas * The war game: An interview with Peter Watkins--Alan Rosenthal * New agendas in black film-making: An interview with Marlon Riggs--Roy Grundmann * Jumping off the cliff: A conversation with Dennis O'Rourke--Tracey Spring * The politics of documentary: A symposium--Barbara Zheutlin * Staying alive--Alan Rosenthal *Part Three: Issues of ethics and aesthetics* Ethics--Brian Winston * Ultimately we are all outsiders--Calvin Pryluck * The ethics of imagemaking--Jay Ruby *Word is OutandGay USA--Lee Atwell * Building a mock-documentary schema-- Jane Roscoe and Craig Hight * Sounds real: Music and documentary--John Corner *Bowling for Columbine: A review--Christopher Sharrett and William Luhr *Part Four: Changing contexts in television* The McCarthySee It Nowbroadcast--Fred W. Friendly * An independent with the networks--Robert L. Drew * New boy: An independent with Israel TV--Alan Rosenthal * Reflections onAn American Family--Craig Gilbert *American High: Documentary as episodic television--Ben Levin * Documentary and truth on television: The crisis of 1999--John Ellis *Part Five: Versions of history* History on the public screen I--Donald Watt * History on the public screen II--Jerry Kuehl * Historical analysis: Content, production and reception--John O'Connor * Narrative, invention and history--Jeffrey Youdelman * Against the ivory tower: An apologia for "popular" historical documentaries--Dirk Eitzen * The event: Archive and imagination--Stella Bruzzi *Part Six: Docudrama: Border disputes* Dramadoc / docudrama: The law and regulation--Derek Paget * US Docudrama and "Movie-of-the-Week"--Steve Lipkin * Death of a princess: Interview with Anthony Thomas--Alan Rosenthal * Dramatized documentary--Leslie Woodhead * Where are we going, and how and why?--Ian McBride Acknowledgements * Introduction *Part One: Theories and forms: Documentary as genre* The voice of documentary--Bill Nichols * The image mirrored: Reflexivity and the documentary film--Jay Ruby * Television, documentary and the category of the aesthetic--John Corner * Mirrors without memories: Truth, history and the New Documentary--Linda Williams *Part Two: The inside view: Producers and directors* The Canadian Film Board Unit B--D.B. Jones * An interview with Emile de Antonio--Gary Crowdus and Dan Georgakas * The war game: An interview with Peter Watkins--Alan Rosenthal * New agendas in black film-making: An interview with Marlon Riggs--Roy Grundmann * Jumping off the cliff: A conversation with Dennis O'Rourke--Tracey Spring * The politics of documentary: A symposium--Barbara Zheutlin * Staying alive--Alan Rosenthal *Part Three: Issues of ethics and aesthetics* Ethics--Brian Winston * Ultimately we are all outsiders--Calvin Pryluck * The ethics of imagemaking--Jay Ruby *Word is OutandGay USA--Lee Atwell * Building a mock-documentary schema-- Jane Roscoe and Craig Hight * Sounds real: Music and documentary--John Corner *Bowling for Columbine: A review--Christopher Sharrett and William Luhr *Part Four: Changing contexts in television* The McCarthySee It Nowbroadcast--Fred W. Friendly * An independent with the networks--Robert L.
Drew * New boy: An independent with Israel TV--Alan Rosenthal * Reflections onAn American Family--Craig Gilbert *American High: Documentary as episodic television--Ben Lev.