Introduction I Position Papers Goodbye Cinema, Hello Cinephilia In Defense of Spoilers Potential Perils of the Director's Cut Southern Movies, Actual and Fanciful: A Personal Survey À la recherche de Luc Moullet: 25 Propositions Bushwhacked Cinema What Dope Does to Movies Fever Dreams in Bologna From Playtime to The World : The Expansion and Depletion of Space within Global Economies II Actors, Actors-Writers-Directors, Filmmakers Kim Novak as Midwestern Independent Marilyn Monroe's Brains A Free Man: White Hunter, Black Heart Bit Actors Rediscovering Charlie Chaplin Second Thoughts on Stroheim Sweet and Sour: Lubitsch and Wilder in Old Hollywood Ritwik Ghatak: Reinventing the Cinema Introducing Pere Portabella Portabella and Continuity Two Neglected Filmmakers: Eduardo de Gregorio and Sara Driver Vietnam in Fragments: William Klein in 1967-68: A Radical Reevaluation Movie Heaven: Defending Your Life The World as a Circus: Tati's Parade The Sun Also Sets: The Films of Nagisa Oshima III Films Inside the Vault [on Spione ] Family Plot "The Doddering Relics of a Lost Cause": John Ford's The Sun Shines Bright Prisoners of War: Bitter Victory Art of Darkenss: Wichita Cinema of the Future: Still Lives: The Films of Pedro Costa A Few Eruptions in the House of Lava Unsatisfied Men: Beau travail Viridiana on DVD Doing the California Split Mise en Scène as Miracle in Dreyer's Ordet David Holzman's Diary / My Girlfriend's Wedding : Historical Artifacts of the Past and Present Two Early Long-Take Climaxes Wrinkles in Time: Alone. Life Wastes Andy Hardy Martha : Fassbinder's Uneasy Testament India Matri Buhmi Radical Humanism and the Coexistence of Film and Poetry in The House Is Black WR , Sex, and the Art of Radical Juxtaposition Revisiting The Godfather IV Criticism Film Writing on the Web: Some Personal Reflections Goodbye, Susan, Goodbye: Sontag and Movies Daney in English: A Letter to Trafic Trailer for Godard's Histoire(s) du cinéma Moullet retrouvé (2006/2009) The Farber Mystery The American Cinema Revisited Raymond Durgnat Surviving the Sixties L.A. Existential Index.
Goodbye Cinema, Hello Cinephilia : Film Culture in Transition