[H]ighly entertaining and readable[.] * The Guardian * In a sparkling memoir of the era and the enterprise, Natasha Lance Rogoff rereates the frantic and vertiginous efforts to launch Ulitsa Sezam against what turned out to be tremendous headwinds. * The Wall Street Journal * Above all, it is a story of great poignance and a love letter to the ideal of educating children through television. * New York Post * The book provides lessons for businesses on how to overcome cultural clashes. * Forbes * There has been no shortage of journalistic books, memoirs and political analyses written by Russians and foreigners on the country in the 1990s, a time of great change and turmoil but also hope. Yet none is quite like this one. Muppets in Moscow is at least three stories woven into a single, readable tale. * The Financial Times * The Sesame Street spinoff set out to be the first Russian-language educational TV program aimed specifically at preschoolers.

The project received support from both American and Russian government officials. Yet the co-production endured a relentless slew of challenges, including financing woes, the invasion of its offices by armed soldiers and thorny conflicts as the cheery ethos and bold aesthetic of Sesame Street ran headlong into Russia''s rich, but markedly different, cultural traditions. Time and again, Ulitsa Sezam had to be salvaged from the brink of collapse by passionate teams on both sides of the Atlantic. It''s a tumultuous tale lovingly chronicled in Muppets in Moscow, a new book by American journalist, TV producer and filmmaker Natasha Lance Rogoff. * Smithsonian Magazine * In this hilarious, eye-opening memoir, an American TV producer recounts her adventures in bringing Bert, Ernie, Oscar, and friends, to post-Soviet Russian television in the mid-''90s. * The Philadelphia Inquirer * Sesame Street''s American creator, Joan Ganz Cooney, first got the idea for the programme when she was in a U.S. supermarket and noticed children asking for products they''d seen advertised on TV.

Why not create something, she thought, that used the same principle but to sell educational and moral messages? Translating this to Russia proved tricky. The difficulties make for a story that draws you in. You feel Rogoff''s frustration as funding once more disappears, you share her joy as the puppeteers bring the new Russian characters to life. Sesame Street became a fixture on Russian screens until Vladimir Putin''s people at the TV networks cancelled it in 2010. Rogoff looks back on her time in Moscow and reflects "how precious, anarchic and fleeting Russia''s brief liberalisation was." It''s a hard read given the country''s current state. * Daily Mail * In this thrilling debut, television producer and filmmaker Rogoff recounts her mission to bring Sesame Street to Russian audiences. In 1993, following the collapse of the Soviet Union, Sesame Workshop hired the Russian-speaking Rogoff to serve as the lead producer for Ulitsa Sezam-the Russian coproduction of the children''s program Sesame Street.

Part of an American effort to help Russia transition to becoming a Western-style democracy, Ulitsa Sezam, Rogoff explains, was considered the perfect vehicle to convey democratic values of tolerance and inclusion to Russian children. Ulitsa Sezam enjoyed a successful run in Russia from 1996 to 2010, but as Rogoff reveals in captivating detail, its success came with challenges, from resistance among the show''s Russian crew (citing Russia''s "long, rich and revered puppet tradition" the lead writer told Rogoff "we don''t need your American Moppets in our children''s show") to an armed takeover by Russian soldiers of the initiative''s offices in Moscow. Still, Rogoff persisted, enabling the creation of wholly new muppet characters that resonated with Russian audiences, all while balancing the task of new motherhood, even as the venture tottered on the verge of collapse multiple times. The resulting tale is one of perseverance and creativity that illuminates how even the most disparate cultures and perspectives can find common ground. * Publishers Weekly, Starred Review * Rogoff''s wild tale of producing the Russian version of Sesame Street (Ulitsa Sezam) in the early to mid-1990s is skillfully written and a joy to read. She takes readers on the perilous journey that began when she accepted the assignment to launch the show in a post-Soviet Moscow; she was then a young Russian-speaking American independent documentary filmmaker who loved Russia and its culture. Ulitsa Sezam was partially funded by the United States, but Rogoff was responsible for financing the rest of the project. Her account of producing Ulitsa Sezam demonstrates the sheer creativity and all the joys and difficulties-at one point, there''s a military takeover of the production office-involved in the project.

She carefully explains the work by U.S. and Russian set designers, puppeteers, musicians, and writers to create Russian puppets (that weren''t the "ambassadors of Western values" the United States had envisioned) and sets. The tale of this collaboration between U.S. and Russian artists working toward a shared educational goal creates a very unique story that is important and timely. For all readers interested in understanding international media and film production and its role in U.S.

diplomacy. * Library Journal, Starred Review * When the USSR dissolved in 1991, the world headed to Russia to make money-but Rogoff''s purpose was a little more . furry. The Children''s Television Workshop wanted to launch a Russian version of Sesame Street and tapped her to executive produce. This memoir details her years toiling to launch an unheard-of show in the former Soviet republics, one that encouraged tolerance, independence, and a can-do attitude. She punctuates the story with her personal development, as she marries and becomes pregnant while trying to pull off the biggest Muppet caper of the 1990s, enduring hostile studio takeovers by armed soldiers, cynicism of potential advertisers, generational clashes between established Soviet workers and younger colleagues, and an entire society adrift in a new world with few shared cultural norms. Her descriptions of Russian friends and colleagues create a compelling cast of characters that reflects the diversity and danger of the time. Oligarchy ends up being no match for Oscar the Grouch and Rogoff''s plucky team in this retelling of a unique point in U.

S.-Russian relations. * Booklist * The book is fascinating as it details the logistics of navigating the Russian television landscape in 1996. Assassinations were a common industry problem, and the production lost multiple business partners to violence. Bills went unpaid as supporters ran out of money, and the political situation repeatedly threatened to shut the show down before the first episode had filmed. The situation resulted in plenty of intrigue for Rogoff, which is conveyed in an in-the-moment manner. But some of the book''s most fascinating sections also discuss the show''s creative process. Rogoff had to get Russian puppeteers and writers to embrace the Muppets despite their initial skepticism, and to help Sesame Workshop develop a trio of Russia-specific puppet characters.

Rogoff''s team also had to navigate conflicts about topics like diversity, class, and even the notion of encouraging children''s optimism about the future. Those discussions and their resolutions are enthralling, and the book captures the methodical but inspired process of building new characters and a show with a Russian sensibility. * Foreword Reviews * Muppets in Moscow is a gripping and intimate account of the early days of post-Soviet Russia, where danger was behind every corner. But somehow, the resilience of ordinary Russians made the seemingly impossible, possible. Lance Rogoff gives readers an unprecedented behind-the-scenes look at the core values and beliefs that shaped Russia in the 1990s and continue to play out today in the horrific struggle between Putin''s Russia and the West. -- Bill Browder, bestselling author of Red Notice and Freezing Order Muppets in Moscow is a brilliantly written, astonishing account of the difficulties of bringing America''s most-loved children''s show to post-communist Russia. Thoughtful, moving, humane, and unforgettable, I didn''t want it to end. -- Marti Leimbach, bestselling author of Dying Young and Daniel Isn''t Talking Moscow was once the capital of the Evil Empire of the USSR.

Today it is in the grip of the ruthless Vladimir Putin. It is easy to forget the heady period in between and the seemingly endless possibilities that opened up to Russian society. Muppets in Moscow is a brilliant account of that time in Russia through the eyes of an American team of children''s story tellers-a team who genuinely believed that there was a place for Sesame Street in Russia. Extraordinary, moving, inspiring, and delightful all at once. -- Ayaan Hirsi Ali, human rights activist and bestselling author of Infidel and Prey Fascinating and timely, Muppets in Moscow is an enthralling read; such a unique story that highlights the turmoil of the fall of the Soviet era, and the difficult growing pains of a culture trying desperately to shift into the modern age. Loved every minute of it, and I''ll never look at Sesame Street the same way again! -- Ben Mezrich, New York Times bestselling author of The Accidental Billionaires, adapted into the 2009 hit film The Social Network In sharing her story of bringing Sesame Street to Russia, Natasha Lance Rogoff serves up a literary treat that couldn''t be more perfectly timed. Muppets in Moscow is a psychological portrait of a post-Soviet society in crisis-corrupt, chaotic, and soon to be all-too-ready for Vladimir Putin. It''s great reading, filled with unforgettable stories and thoughtful insights-and leavened by a big dose of humor, too.

-- Judith Warner, best-selling author of Perfect Madness:.