We are surrounded by portraits: from the cipher-like portrait of a queen on a bank note to security pass photos; from images of politicians in the media to Facebook; from galleries exhibiting Titian or Leonardo to contemporary art featuring the self-image, as with Jeff Koons or Cindy Sherman. In Antiquity portraiture was of major importance in the exercise of power. Today it remains not only a part of everyday life but also a crucial way for artists to define themselves in relation to their environment and their contemporaries. In Portrayal and the Search for Identity , Marcia Pointon investigates how we view and understand portraiture as a genre, and how portraits function as artworks within social and political networks. Likeness is never a straightforward matter as we rarely have the subject of a portrait as a point of comparison. Featuring familiar canonical portraits works as well as little-known works, Portrayal seeks to unsettle notions of portraiture as an art of convention, a reassuring reflection of social realities. Readers are instead invited to consider how identity is produced pictorially, and where likeness is registered apart from in a face. In exploring these issues, the author addresses wide-ranging problems such as the construction of masculinity in dress, representations of slaves, and self-portraiture in relation to mortality.