"The richness and depth of the study is exemplified by its geographical scope.This monumental book on an important aspect of popular culture in the twentieth century provides a template for future research on dance halls and associated forms of leisure. The depth of research, sources, and critical reflection already marks it out as a classic. It should be widely read and discussed by business historians, labor historians, and scholars who are seeking to understand the social and cultural life of the British people in the twentieth century."--Keith Gildart, Journal of Modern History "Going to the Palais stands as an exemplary work of social and cultural history, an extensively informed and illuminating recovery of a widely embraced but under-studied leisure pursuit that reveals much of popular values and practice and cultural politics at large."--Peter Bailey, American Historical Review "Nott has produced what I think will prove to be a definitive account of dancing and dance halls in the twentieth century. Going to the Palais, is a very impressive work which offers an academic consideration of the halls from multiple perspectives, including corporate ownership and patronage with particular reference to race, class and gender, and the moral concerns their patrons provoked.Going to the Palais was one of the most notable works of social history to appear in 2015.

It was a pleasure to read."--John Griffiths, Social History "[U]tilizes a rich gathering of material to paint a detailed picture of dancing across the period from 1918 to 1960. Nott's book invites a readership beyond the field of leisure history, making a valuable contribution to histories of gender and class in the twentieth century and raising significant questions about leisure as a vehicle for social and cultural change."--Sian Edwards, 20th Century British History "Nott's work is impressively researched and refreshingly inclusive of the whole national context.[T]he book offers a detailed picture painted on a broad canvas and will appeal to both the scholar and the general reader. It makes an important contribution by firmly and unapologetically claiming popular dance as a vital activity in twentieth century cultural history."--Alexandra Carter, Dance Research "[A] particularly welcome contribution to modern British studies and one that will undoubtedly be widely read beyond the field of history.a pleasure to read.

"--Claire Langhamer, Reviews in History "Notts puts the well-worn concept of gender, class and age through their paces. He shows that austerity and economic insecurity boosted the desire to dance while affluence gradually slowed it down.Nott has important things to say about a period in British history where dancing became much more than a craze."--Joanna Bourke, The Times Literary Supplement "A superb analysis of gender and race relations, as well as a fascinating look at an industry that had once rivaled cinema as an ultimate pastime."--New Books Network "Meticulously researched."--David Fowler, Times Higher Education "In its range of topics, density of assembled evidence, and consistent subtlety of argument, this book is set to become the definitive account of dance halls in 20th century Britain."--Jeffrey Richards, History Today.