Acknowledgements Note on the Citation of Early Modern Dramatic Texts 1. Middleton and Rowley: Writing About Collaborative Drama - Critical Approaches to Collaboration: The Case of The Changeling - Middleton, Rowley and Authorship - Authorial Divisions and the Process of Collaboration - Analyzing Collaborative Drama 2. Collaborators and Individual Style: Choice and Religion in The Changeling - Choosing to Sin in All's Lost by Lust - The Mind of the Sinner - Calvinism and Middleton's Tragedies - Collaboration and Choice in The Changeling - Divided Authors 3. The Actor as Collaborator: Wit at Several Weapons and the Incorporation of Persona - Rowley's Persona Under Different Playwrights - The Rowleyan Clown in All's Lost by Lust - The Structure of Rowley's Clown Plots - Middleton, Rowley, and the Clown: Wit at Several Weapons - The Clown's Perspective 4. Collaborators and Playing Companies: Class and Genre in A Fair Quarrel - Middleton and the Factious Comedy - Rowley and Romance - The Double Ending of A Fair Quarrel ­- Duelling Genres 5. A Presence in the Crowd: Multiple Authorship and the Individual Voice in The Spanish Gypsy, The World Tosesed at Teninis and The Old Law - An Actor's Presence in The Spanish Gypsy and The Changeling - The Patron's Presence in The World Tossed at Tennis and The Old Law - Epilogue: The Presence of the Absent Author Appendix: A Middleton-Rowley Chronology.