Preface and Acknowledgements Map 1: Major Sea an Land Trade Routes Map 2: The Burgundian Netherlands Chapter 1: Introduction Part I: Problems and Perspectives Chapter 2: Dispersal and Destruction Chapter 3: Italian Perspectives Chapter 4: Sources and Documents Chapter 5: Physical Evidence and Technical Examination Part II: Markets for Art: Centres, Products, and Patrons Chapter 6: Centres Chapter 7: Products Chapter 8: Patrons: Importing Art and Artists Part III: Marketing Art: Artists and the Contexts of Creation Chapter 9: The de Limbourgs in the Service of Jean de Berry Chapter 10: Hans Memling Painting Panels in Bruges Chapter 11: Printmakers in the Rhine Valley Inventing, Marketing, and Distributing Images Chapter 12: Declaring Authorship and Expertise: Signatures and Self Portraits Part IV: Making Images: Equipment, Materials, Methods Chapter 13: Workspace and Equipment Chapter 14: The Worforce Chapter 15: Materials, Methods, and Technical Virtuosity Part V: Using and Viewing Chapter 16: Moving Images Chapter 17: Settings, Vistas, and Accoutrements for Mass and Prayer Chapter 18: Meditation and Imagination Notes List of Illustrations Bibliographic Essay Index Introduction 1. Problems and Perspectives 2. Centres, Consumers, and Artists 3. Processes and Procedures 4. Using and Viewing Notes Further Reading Timeline.