How to Read a Film : The World of Movies, Media, Multimedia: Language, History, Theory
How to Read a Film : The World of Movies, Media, Multimedia: Language, History, Theory
Click to enlarge
Author(s): Monaco, James
ISBN No.: 9780195038699
Edition: Revised
Pages: 672
Year: 200006
Format: Trade Paper
Price: $ 41.33
Status: Out Of Print

I. Film as an Art The Nature of Art The Spectrum of Art: Modes of Discourse Film, Recording, and the Other Arts Film, Photography, and Painting; Film and the Novel; Film and Theater; Film and Music; Film and the Environmental Arts: The Structure of Art II. Technology: Image and Sound Art and Technology Image Technology; Sound Technology: The Lens The Camera The Filmstock Negatives, Prints, and Generations; Aspect Ratio; Grain Gauge, and Speed; Contrast, Tone, and Color: The Soundtrack Post-Production Editing; Mixing and Looping; Special Effects; Opticals and the Laboratory: The Uses of Video Projection III. The Language of Film: Signs and Syntax Signs The Physiology of Perception; Denotative and Connotative Meaning: Reading the Image: Syntax Codes; Mise en Scene (The Framed Image); The Diachronic Shot; Sound; Montage; Reading the Narrative: IV. The Shape of Film History "The Movies": Economics The Birthe of Film; The Silent Business; Sound; The Studios; Film versus Television; the Conglomerates and Independents: "The Film": Politics Ontological Level; Mimetic Level; Inherent Level; Psychopolitics; Sociopolitics: "The Cinema": Esthetics Creating an Art; Lumiere versus Melies; The Silent Feature: Realism versus Expressionism; Hollywood: Genre versus Auteur; Neorealism and After: Hollywood versus the World; The New Wave and the Third World: Entertainment versus Communication (The New Wave; Avant Gard, Direct Cinema and Cinema Verite; England; Italy; Sweden; Eastern Europe; The Third World; Japan and Asia; New French Cinema; Das Neue Kino; Swiss Cinema; American Film Now); The Eighties and Beyond: Democracy and Technology: End of Cinema: V. Film Theory: Form and Function The Poet and the Philosopher: Lindsay and Munsterberg Expressionism and Realism: Arnheim and Kracauer Montage: Pudovkin, Eisenstein, Balazs, and Formalism Mise en Scene: Neorealism, Bazin, and Godard Film Speaks and Acts: Metz and Contemporary Theory VI. Media Print and Electronic Media The Technology of Mechanical Electronic Media Radio and Records Television and Video A Concluding Note: Media Democracy Appendix I: A Standard Glossary for Film and Media Criticism Appendix II: Reading about Film and Media Part One: A Basic Library Part Two: Information Appendix III: Film and Media: A Chronology Index.


To be able to view the table of contents for this publication then please subscribe by clicking the button below...
To be able to view the full description for this publication then please subscribe by clicking the button below...