".in the fireside lore of nearly every Aryan people" John Fiske, Myths & Mythmakers ,(1872).This description of the 'faithful hound' leitmotif, which even has a specific number in the scholarly Arne-Thompson categorisation of folk tales(178A), might bring disappointment to all those adults brought up to believe in the unique Welshness of the tear-jerking legend of Gelert. Yet the story has retained its excitement, its pathos and its cultural integrity. It has been shared by countless generations of children,in classrooms and homes across Wales and far beyond.This simple version, told appropriately in rhyming couplets by singer and songwriter Cerys Matthews, has a hint of the past in its format. It echoes, perhaps, the Celtic bards wooing their princely patrons with romantic tales of bravery, loyalty and chivalry, accompanied by soothing music. This narrative form works well, as the story unfolds, the rhythms complementing both the dialogue and the descriptive text.

An occasional blemish as the writer apparently fails to find a true rhyme, provides a minor irritation, and interrupts the movement of the verse. (This is particularly apparent in the page-turn-over rhyme of 'cry'/'alive' - 'die' could have been manipulated into the text quite easily.)Fran Evans, a popular and accomplished illustrator for Pont Books excels at detail, and this is very apparent in those frames where she allows her skills to run wild; the departure for the hunt, with Siwan and the baby in the high tower and the poultry man below feeding his brood is delightful. The scene in the castle cellars where the kitchen staff are preparing supper, innocently unaware of the shadowy wolf on the stair case beyond, is bursting with attention to period detail. The larger images, both of the grieving parents, Prince Llywelyn and Siwan, and the canine protagonists, seem less convincing. Although there is plenty of movement in the streaming mane of the horse, its rider's cloak and the sinewy legs of the faithful hound in the opening images, this intensity and conviction of presentation does seem to tire. The constellation of Gelert in the night sky, which closes the book, hoping perhaps to soften its sadness, only serves to heighten one reader's unease. The grey-silhouetted image of a modern boy on horseback, gazing upwards at the stars from a field of detailed grasses, flowers and moths does, however, appease the soul .

and the tiny hunting vignette on the final page redeems all!There is so much more to explore in the legend of Gelert that I am sure this entertaining interpretation in picture book form will inspire children, parents and teachers to reach for their laptops, tablets, and even reference books! There they will discover earlier poetic interpretations of the story, earlier illustrations (the Victorians loved the subject) and some fascinating links with real history - see the detailed notes on Beth Gellert in Celtic Fairy Tales by Joseph Jacobs (1892). Indeed it's a chance for readers and researchers, of whatever age, to make up their own minds about the historical validity of the story and its contribution both to the Welsh folk legend canon and to Snowdonia's tourist industry. Beddgelert here we come!.