On the Nature of Things
On the Nature of Things
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Author(s): Lucretius
ISBN No.: 9781521076026
Pages: 285
Year: 201704
Format: Trade Paper
Price: $ 13.79
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Titus Lucretius Carus (/tats lkris/; c. 15 October 99 BC - c. 55 BC) was a Roman poet and philosopher. His only known work is the didactic philosophical poem De rerum natura about the tenets and philosophy of Epicureanism, and which is usually translated into English as On the Nature of Things. Lucretius has been credited with originating the concept of the three-age system which was formalized from 1834 by C. J. Thomsen.Very little is known about Lucretius's life; the only certain fact is that he was either a friend or client of Gaius Memmius, to whom the poem was addressed and dedicated.


De rerum natura was a considerable influence on the Augustan poets, particularly Virgil (in his Aeneid and Georgics, and to a lesser extent on the Eclogues) and Horace. The work virtually disappeared during the Middle Ages but was rediscovered in 1417 in a monastery in Germany by Poggio Bracciolini, and it played an important role both in the development of atomism (Lucretius was an important influence on Pierre Gassendi) and the efforts of various figures of the Enlightenment era to construct a new Christian humanism.His poem De rerum natura (usually translated as "On the Nature of Things" or "On the Nature of the Universe") transmits the ideas of Epicureanism, which includes Atomism, and psychology. Lucretius was the first writer to introduce Roman readers to Epicurean philosophy. The poem, written in some 7,400 dactylic hexameters, is divided into six untitled books, and explores Epicurean physics through richly poetic language and metaphors. Lucretius presents the principles of atomism; the nature of the mind and soul; explanations of sensation and thought; the development of the world and its phenomena; and explains a variety of celestial and terrestrial phenomena. The universe described in the poem operates according to these physical principles, guided by fortuna, "chance", and not the divine intervention of the traditional Roman deities.Within this work, Lucretius makes reference to the cultural and technological development of man in his use of available materials, tools and weapons through prehistory to Lucretius' own time.


He specifies the earliest weapons as hands, nails and teeth. These were followed by stones, branches and, once man could kindle and control it, fire. He then refers to "tough iron" and copper in that order but goes on to say that copper (sic) was the primary means of tilling the soil and the basis of weaponry until, "by slow degrees", the iron sword became predominant (it still was in his day) and "the bronze sickle fell into disrepute" as iron ploughs were introduced. He had earlier envisaged a pre-technological, pre-literary kind of man whose life was lived "in the fashion of wild beasts roaming at large". From this beginning, he theorised, there followed the development in turn of crude huts, use and kindling of fire, clothing, language, family and city-states. He believed that smelting of metal, and perhaps too the firing of pottery, was discovered by accident: for example, the result of a forest fire. Lucretius seems to equate copper with bronze, an alloy of copper and tin that has much greater resilience than copper; both copper and bronze were superseded by iron during his millennium (1000 BC to 1 BC). He may have considered bronze to be a stronger variety of copper and not necessarily a wholly individual material.


Lucretius is believed to be the first to put forward a theory of the successive usages of first wood and stone, then copper and bronze, and finally iron. Although his theory lay dormant for many centuries, it was revived in the nineteenth century and he has been credited with originating the concept of the three-age system which was formalized from 1834 by C. J. Thomsen.


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