INTRODUCTION The aristocrats of crime. -DAVID MAURER Dr. Joseph Cyr, a surgeon lieutenant of the Royal Canadian Navy, walked onto the deck of the HMCS Cayuga . It was September 1951, the second year of the Korean War, and the Cayuga was making her way north of the thirty-eighth parallel, just off the shore of North Korea. The morning had gone smoothly enough; no sickness, no injuries to report. But just as the afternoon was getting on, the lookouts spotted something that didn't quite fit with the watery landscape: a small, cramped Korean junk that was waving a flag and frantically making its way toward the ship. Within the hour, the rickety boat had pulled up alongside the Cayuga . Inside was a mess of bodies, nineteen in all, piled together in obvious filth.
They looked close to death. Mangled torsos, bloody, bleeding heads, limbs that turned the wrong way or failed to turn at all. Most of them were no more than boys. They had been caught in an ambush, a Korean liaison officer soon explained to the Cayuga 's crew; the messy bullet and shrapnel wounds were the result. That's why Dr. Cyr had been summoned from below deck: he was the only man with any medical qualification on board. He would have to operate-and soon. Without his intervention, all nineteen men would very likely die.
Dr. Cyr began to prepare his kit. There was only one problem. Dr. Cyr didn't hold a medical degree, let alone the proper qualifications required to undertake complex surgery aboard a moving ship. In fact, he'd never even graduated high school. And his real name wasn't Cyr. It was Ferdinand Waldo Demara, or, as he would eventually become known, the Great Impostor-one of the most successful confidence artists of all time, memorialized, in part, in Robert Crichton's 1959 account The Great Impostor .
His career would span decades, his disguises the full gamut of professional life. But nowhere was he more at home than in the guise of the master of human life, the doctor. Over the next forty-eight hours, Demara would somehow fake his way through the surgeries, with the help of a medical textbook, a field guide he had persuaded a fellow physician back in Ontario to create "for the troops" in the event a doctor wasn't readily available, copious antibiotics (for the patients) and alcohol (for himself), and a healthy dose of supreme confidence in his own abilities. After all, he'd been a doctor before. Not to mention a psychologist. And a professor. And a monk (many monks, in fact). And the founder of a religious college.
Why couldn't he be a surgeon? As Demara performed his medical miracles on the high seas, makeshift operating table tied down to protect the patients from the roll of the waves, a zealous young press officer wandered the decks in search of a story. The home office was getting on his back. They needed good copy. He needed good copy. Little of note had been happening for weeks. He was, he joked to his shipmates, practically starving for news. When word of the Korean rescue spread among the crew, it was all he could do to hide his excitement. Dr.
Cyr's story was fantastic. It was, indeed, perfect. Cyr hadn't been required to help the enemy, but his honorable nature had compelled him to do so. And with what results. Nineteen surgeries. And nineteen men departing the Cayuga in far better shape than they'd arrived. Would the good doctor agree to a profile, to commemorate the momentous events of the week? Who was Demara to resist? He had grown so sure of his invulnerability, so confident in the borrowed skin of Joseph Cyr, MD, that no amount of media attention was too much. And he had performed some pretty masterful operations, if he might say so himself.
Dispatches about the great feats of Dr. Cyr soon spread throughout Canada. Dr. Joseph Cyr, original version, felt his patience running out. It was October 23, and there he was, sitting quietly in Edmunston, trying his damnedest to read a book in peace. But they simply wouldn't leave him alone. The phone was going crazy, ringing the second he replaced the receiver. Was he the doctor in Korea? the well-intentioned callers wanted to know.
Was it his son? Or another relative? No, no, he told anyone who bothered to listen. No relation. There were many Cyrs out there, and many Joseph Cyrs. It was not he. A few hours later, Cyr received another call, this time from a good friend who now read aloud the "miracle doctor's" credentials. There may be many Joseph Cyrs, but this particular one boasted a background identical to his own. At some point, coincidence just didn't cut it. Cyr asked his friend for a photograph.
Surely there was some mistake. He knew precisely who this was. "Wait, this is my friend, Brother John Payne of the Brothers of Christian Instruction," he said, the surprise evident in his voice. Brother Payne had been a novice when Cyr knew him. He'd taken the name after shedding his secular life-and that life, Cyr well recalled, was a medical one much like his own. Dr. Cecil B. Hamann, he believed the man's original name was.
But why, even if he had returned once more to medicine, would he ever use Cyr's name instead? Surely his own medical credentials were enough. Demara's deception rapidly began to unravel. And unravel it did. But his eventual dismissal from the navy was far from signaling the end of his career. Profoundly embarrassed-the future of the nation's defense was on its shoulders, and it couldn't even manage the security of its own personnel?-the navy did not press charges. Demara-alias-Cyr was quietly dismissed and asked to leave the country. He was only too happy to oblige, and despite his newfound, and short-lived, notoriety, he would go on to successfully impersonate an entire panoply of humanity, from prison warden to instructor at a school for "mentally retarded" children to humble English teacher to civil engineer who was almost awarded a contract to build a large bridge in Mexico. By the time he died, over thirty years later, Dr.
Cyr would be but one of the dozens of aliases that peppered Demara's history. Among them: that of his own biographer, Robert Crichton, an alias he assumed soon after the book's publication, and long before the end of his career as an impostor. Time and time again, Demara-Fred to those who knew him undisguised-found himself in positions of the highest authority, in charge of human minds in the classroom, bodies in the prison system, lives on the decks of the Cayuga . Time and time again, he would be exposed, only to go back and succeed, yet again, at inveigling those around him. How was he so effective? Was it that he preyed on particularly soft, credulous targets? I'm not sure the Texas prison system, one of the toughest in the United States, could be described as such. Was it that he presented an especially compelling, trustworthy figure? Not likely, at six foot one and over 250 pounds, square linebacker's jaw framed by small eyes that seemed to sit on the border between amusement and chicanery, an expression that made Crichton's four-year-old daughter Sarah cry and shrink in fear the first time she ever saw it. Or was it something else, something deeper and more fundamental-something that says more about ourselves and how we see the world? It's the oldest story ever told. The story of belief-of the basic, irresistible, universal human need to believe in something that gives life meaning, something that reaffirms our view of ourselves, the world, and our place in it.
"Religion," Voltaire is said to have remarked, "began when the first scoundrel met the first fool." It certainly sounds like something he would have said. Voltaire was no fan of the religious establishment. But versions of the exact same words have been attributed to Mark Twain, to Carl Sagan, to Geoffrey Chaucer. It seems so accurate that someone, somewhere, sometime, must certainly have said it. And it seems so accurate, most of all, because it touches on a profound truth. The truth of our absolute and total need for belief from our earliest moments of consciousness, from an infant's unwavering knowledge that she will be fed and comforted to an adult's need to see some sort of justness and fairness in the surrounding world. In some ways, confidence artists like Demara have it easy.
We've done most of the work for them; we want to believe in what they're telling us. Their genius lies in figuring out what, precisely, it is we want, and how they can present themselves as the perfect vehicle for delivering on that desire. The impostors, like Demara, showing up where they are needed, in the guise they are most needed: a qualified doctor volunteering for the navy when there is a severe shortage of physicians; a prison warden eager to take on the most difficult inmates where no one wants to step in. The Ponzi schemer who arrives with the perfect investment at a time when money is short and the markets shaky. The academic who creates just the cloning breakthrough everyone has been awaiting. The art dealer with the perfect Rothko that the collector simply hasn't been able to locate anywhere else. The politician with the long-awaited solution to a thorny issue that's been plaguing the town for years. The healer with just the right remedy, just the right tincture, just the right touch.
The journalist with the perfect story to illustrate an important point. And, long before an.