CHAPTER 1: AFTER THE FIN-DE-SIÈCLE Gustave Courbet, The Bathers , 1853 feature On Location: Portable paint and fold away easels Édouard Manet, Olympia , 1865 feature Photography: How it changed what artists did Auguste Rodin, The Kiss , 1882 Vincent van Gogh, The Starry Night , 1889 James Ensor, Skeletons Fighting over a Pickled Herring , 1891 Edvard Munch, The Scream , 1893 Paul Gauguin, Where Do We Come From? What Are We? Where Are We Going? 1897 Gustav Klimt, Nuda Veritas (Naked Truth) , 1899. Picasso, Les Demoiselles d'Avignon , 1907 CHAPTER 2: HORRORS OF WAR Egon Schiele, Self-Portrait , 1910 Wassily Kandinsky, Composition V , 1911 Umberto Boccioni, Unique Forms of Continuity in Space , 1913 feature Revolution: Industrial, Russian, Weimar Kazimir Malevich, Black Square , 1915 Marcel Duchamp, Fountain , 1917 feature Spirituality: Changing beliefs, including Theosophy, Transcendentalism and Metaphysics Hannah Höch, Cut with a Kitchen Knife Dada through the Last Weimar Beer Belly Cultural Epoch of Germany , 1919 Piet Mondrian, Composition with Large Red Plane, Yellow, Black, Grey and Blue, 1921 Otto Dix, Skat Players (Card-Playing War Cripples) , 1920 Georgia O'Keeffe, Black Iris , 1926 CHAPTER 3: CONFLICT AND DEGENERACY Max Ernst, Two Children are Threatened by a Nightingale , 1924 Salvador Dalí, The Persistence of Memory , 1931 Hans Bellmer, The Doll , 1936 feature World War II: How it shaped the world Frida Kahlo, The Broken Column , 1944 feature Degenerate Art: Hitler's touring exhibition Jean Dubuffet, Dhôtel, Nuance d'Abricot, 1947 Jackson Pollock, Lavender Mist , 1950 Robert Rauschenberg, Erased de Kooning Drawing , 1953 Yves Klein, Anthropometry Performance , 1960 Piero Manzoni, Artist's Shit , 1961 CHAPTER 4: COMMERCIALISM AND PROTEST feature Pop and High Culture Andy Warhol, Brillo Boxes , 1964 Lucio Fontana, Concetto Spaziale , 1962 feature New materials: Breaking away from traditional fine art materials Carl Andre, Equivalent VIII , 1966 Yayoi Kusama, Anatomic Explosion on Wall Street , 1968 Vito Acconci, Trademarks , 1970 Marina Abramovic, Rhythm O , 1974 Judy Chicago, The Dinner Party , 1974-79 Jean-Michel Basquiat, Arroz con Pollo , 1981 Nan Goldin, Nan One Month After Being Battered , 1984 Keith Haring, Crack is Wack , 1986 Andres Serrano, Piss Christ , 1987 Barbara Kruger, Untitled (Your Body is a Battleground), 1989 Guerrilla Girls, Do Women Have to Be Naked to Get into the Met Museum? 1989 CHAPTER 5: BEYOND THE FRAME feature Globalisation feature Computerisation Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living , 1991 Mona Hatoum, Light Sentence , 1992 Jenny Saville, Propped , 1992 Rachel Whiteread, House, 1993 Renee Cox, Yo Mama's Last Supper , 1996 Louise Bourgeois, Cell XXVI , 1999 Maurizio Cattelan, The Pope Struck, 1999 Tania Bruguera, Whisper #5 , 2008 Anish Kapoor, A Very Fine Mess , 2009 Kara Walker, A Subtlety , 2014 Banksy, Love is in the Bin , 2018.