Draw and Write Journal for Kids : 8. 5/11 Space Notebook for Writing and Drawing for Kid, for Girls, for Home, for School... .
Draw and Write Journal for Kids : 8. 5/11 Space Notebook for Writing and Drawing for Kid, for Girls, for Home, for School... .
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Author(s): Herron, Mick
ISBN No.: 9781641295000
Pages: 304
Year: 202307
Format: Trade Paper
Price: $ 17.93
Dispatch delay: Dispatched between 7 to 15 days
Status: Available (Forthcoming)

1 The longer she sat there, the colder she became. With her back to the cistern, and her feet drawn up beneath her, Maggie perched on the closed lid of the toilet, and concentrated on being as still as possible. An hour earlier, a spasm in her leg had caused the overhead lights to switch on. Their electric hum had startled her more than the glare. Someone would hear it, she thought, and come investigate. But nobody arrived, and the spasm subsided, and a few minutes later the lights turned themselves off again. "How long do I have to hide in the toilets?" she had asked Harvey. "Until twelve.


At least." "The guard patrols all night long." "But there''s only one of him. And he can''t be on every floor at once." She had an urge to confirm that the flash drive was still in her pocket, but any movement would bring the lights to life, and besides, she had checked three times already. Alone in the dark Maggie squeezed her eyes shut, tried not to shiver, and made herself invisible. Quilp House was twenty-seven storeys high, each spreading out from a central lobby area where the lifts were, and around which the stairwells ran. In the lower half of the building the floors were open-plan, with rows of desks divided into three or four work-stations apiece.


During the day a kind of electricity filled the air, which was not so much the ambient excitement caused by communion with the world''s markets as much as it was the repressed emotions of people forced to work in close proximity, and thus hold in their baser reactions, their bodily rumblings. From the twentieth level, the building changed character. Here, people worked behind closed doors, in progressively larger offices. Views became spectacular. The higher up you were, the further off you could see the weather. On these floors cameras blinked at corridors'' ends, little red lights above their lenses signalling vigilance. Occasionally they swivelled, redirecting their meerkat gaze. "What about the CCTV?" "There are two guards on the night shift," Harvey had explained.


He was patient with her. Without having to be told, she knew he understood what it was to step across the lines that bordered daily behaviour. "One to patrol, and the other to watch the screens. The TV monitors. Do you know how many of these there are?" She had a vision of a wall built of pixels, boasting as many views of corridors as there were satellite channels screening sport. "There are six," he said. "And they alternate from camera to camera. Which means the odds are against your showing up on screen at any given time.


" "So they don''t automatically detect motion?" "Maggie." He had reached across the table and put his hand on hers. Around them had been the usual clatter of young mums and earnest hipsters: like most of their conversations, this had taken place in the café where they first met. Where he had first approached her. "It''s fine to be scared. It''s fine not to want to do this." "I do want to do it." "And I wouldn''t ask if I could see any other way of getting the job done.


If you knew--" He broke off while a young woman squeezed past with a tray piled high with dirty mugs, their rims laced with froth. "I know you wouldn''t," she told him. Because she was his only hope. Her wristwatch pinged when midnight struck. For a moment, the sound confused her--she had not been asleep, precisely, but had entered a fugue state in which memories and plans collided, throwing sparks off each other--and she jerked upright, banging her head against the cistern. An image of her sister popped and vanished as the cubicle light flickered on, followed by the other bulbs in the lavatory. Her heart pounded. Someone would come.


But nobody did, and after a moment Maggie unfolded her limbs, which were creaky with cold, and tried to rub life into them. Pins and needles assaulted her fingers. She did not feel like an agent on a mission. She felt like a young woman up past bedtime, who wanted only to crawl beneath some covers and find warmth. "What do I do now, Harvey?" she whispered. It would have been nice if he''d been there, offering an answer. But it was up to her now. She was on her own.


Because it didn''t matter--because the lights had blinked on anyway--before making her way out of the cubicle, she raised the toilet lid, pulled down her jeans and pants, and used it for the purpose for which it was intended. Then she rearranged her clothing, closed the lid, and had her hand on the handle before she caught herself--that would be all she needed, to send a watery alarm cascading through the building. She imagined security guards stomping up and down the stairwells, crashing into the lavatories on each floor, throwing open doors, looking for the culprit. "Maggie, Maggie," she murmured to herself. When her heart rate was normal she unlocked her cubicle and tiptoed to the door and opened it and peered out. The corridor was in darkness. The motion sensors were sleepy, and wouldn''t kick in until she stepped outside. Even then they allowed a second or two''s grace, as if they needed convincing that they weren''t rousing themselves for someone of no consequence.


For a mouse, creeping its night-time way along an empty hall. Rather than a spy. An agent on a mission. "Trying not to make the lights come on will only stress you out," Harvey had said. "It can''t be done. You have to move to get where you need to be, and the sensors will do the rest. So don''t worry about them. You can''t control the things you can''t control.


" It was nice that he was confident she could control the other things. "Maggie, Maggie," she chided herself again. Here was the equation: if the lights were off, the guard wasn''t on this floor. And if he wasn''t on this floor, he wouldn''t see the lights coming on. Which meant it was safe to step out into the corridor. But before she could do so the lights flickered and the door to the lobby clicked shut, and then--loud as a lion--she could hear the breathy whistling of the security guard as he rounded the corner, heading her way. "I wish this were like the films," Harvey had said, "where you have an earpiece and a radio mic, and we''re synchronised to the nanosecond. And I''d be hacked into the security system, so I could tell you when it''s safe to walk down a corridor, and when to shelter under a desk.


But life''s not like that, Maggie. This business isn''t like that. We''re a lot more . We''re less James Bond and a lot more, I don''t know, Mr. Bean or someone. We have to use what''s at hand. And I wish I didn''t have to ask you to do this. If I could do it myself, I would.


If there were any other way ." He had not finished his sentence. He hadn''t needed to. "And let me say this. You''re a brave girl, a tremendous girl, and I couldn''t be prouder of you. But if you want to back out, do it now. Because from here on, it''ll be too late." "I don''t want to back out.


" She did, though. What he was asking was that she put her head in the dragon''s mouth. It was so far removed from her daily life she might as well be watching it in one of those films it wasn''t like, and even there at the table she could feel her innards contract, her thighs grow watery. She''d wobble when she stood, she knew she would. And she ought to tell him he''d picked the wrong girl, a nobody, who couldn''t be relied on. She''d dissolve into panic at the worst moment. She wasn''t icy cool and she wasn''t super-hot. He''d plucked her from a crowd, and really, it would be sensible to let her subside back into it, and lose herself among the traffic.


But if she said that she''d see disappointment cross his features, that strange mix of the ugly and the sad on which she''d come to depend. And besides . And besides, what he was asking of her was important. For Queen and country, he''d have said in the old days, though here in the modern world it was more tangible than that. What he was asking her to be was a cog in a larger wheel, on whose turning much depended. He was giving her the opportunity of helping ensure that something did not happen. That there was a fundamental anonymity to this--success measured as an absence of event--did not faze her. Anonymity was her natural setting, her personality''s screensaver.


Just ask Meredith. "Good, then. Good." He fished about in his pocket. For all he''d said about not being James Bond, Maggie had still expected something flashy, in a silver case perhaps, moulded to fit. But instead he''d handed.


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