Shakespeare and Transversal Power-- Don Hedrick & Bryan Reynolds * 'Where's the Master': The Technologies of the Stage, Book, and Screen in The Tempes t and Prospero's Books --James Andreas * Additional Dialogue: Williams Shakespeare's Queer Allegory, and My Own Private Idaho -- Matt Burgbusch * No Holes Bard: Homonormativity and the Gay and Lesbian Romance with Romeo and Juliet--Richard Burt * Shakespeare's Enduring Immorality and the Performative Turn-- Don Hedrick * Rehearsing the Weird Sisters: The Word as Fetish in Macbeth-- Leslie Katz * Sweet, Savage Shakespeare--Laurie Osborne * New York's African Theatre: Shakespeare Reinterpreted--William Over * Vaulting Ambitions and Killing Machines: Shakespeare, Jarry, Ionesco, and the Senecan Absurd * 'What is the city but the people?': Transversal Performance and Radical Politics in Shakespeare's Coriolanus and Brecht's Coriolan --Bryan Reynolds * Performance Authority in Hamlet (1603)--Robert Weimann * Afterword: Shakespace on Marloan--Julia Reinhard Lupton.