This Chart, comprising four huge copperplates engraved in 1775 by Du Chenteau himself, is a monumental attempt to unite ceremonial magic, Kabbalah, alchemy, Hermetic philosophy, and the science of number. In memorable images, many borrowed from the Rosicrucian philosopher Robert Fludd, it depicts a cosmos emanating from the mind of God, structured by correspondences, and culminating in the human being (the Microcosm) whose body and soul reflect the Macrocosm. Du Chenteau, a practicing alchemist and member of esoteric Masonic orders, represents an "enlightenment" very different from the secular and materialistic trends of his time. His work is a visual encyclopedia, forming a bridge between the late Renaissance world view and the occult revival of the nineteenth century. This edition sets Du Chenteau's Chart in its historical context, traces all its sources, translates its texts from the original French, and explains its arcane imagery. An Appendix by Antoine Faivre, Professor at the Sorbonne, tells of De Chenteaus's life, his friends, and his bizarre spiritual practices.