Preface and Acknowledgments Introduction: Reclaiming Female Agency 1. Here's Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist Mary D. Garrard 2. Learning to Be Looked At: A Portrait of (the Artist as) a Young Woman in Agnegrave;s Merlet'sArtemisia Sheila ffolliott 3. Artemisia's Hand Mary D. Garrard 4. The Antique Heroines of Elisabetta Sirani Babette Bohn 5. Pictures Fit for a Queen: Peter Paul Rubens and the Marie de' Medici Cycle Geraldine A.

Johnson 6. The Portrait of the Queen: Elisabeth Vigeacute;e-Lebrun'sMarie-Antoinette en chemise Mary D. Sheriff 7. Depoliticizing Women: Female Agency, the French Revolution, and the Art of Boucher and David Erica Rand 8. Nudityagrave; la grecquein 1799 Darcy Grimaldo Grigsby 9. A Woman's Pleasure: Ingres'sGrande Odalisque Carol Ockman 10. Conduct Unbecoming: Daumier andLes Bas-Bleus Janis Bergman-Carton 11. The Gendering of Impressionism Norma Broude 12.

Selling, Seduction, and Soliciting the Eye: Manet'sBar at the Folies-Bergegrave;re Ruth E. Iskin 13. Mary Cassatt: Modern Woman or the Cult of True Womanhood? Norma Broude 14. The "Strength of the Weak" as Portrayed by Marie Laurencin Bridget Elliott 15. New Encounters withLes Demoiselles d'Avignon:Gender, Race, and the Origins of Cubism Anna C. Chave 16. The New Woman in Hannah Houml;ch's Photomontages: Issues of Androgyny, Bisexuality, and Oscillation Maud Lavin 17. Claude Cahun, Marcel Moore, and the Collaborative Construction of a Lesbian Subjectivity Julie Cole 18.

Louise Bourgeois'sFemmes-Maisons:Confronting Lacan Julie Nicoletta 19. Reconsidering the Stain: On Gender and the Body in Helen Frankenthaler's Painting Lisa Saltzman 20. Minimalism and Biography Anna C. Chave 21. The "Sexual Politics" ofThe Dinner Party:A Critical Context Amelia Jones 22. Cultural Collisions: Identity and History in the Work of Hung Liu Allison Arieff 23. Shirin Neshat: Double Vision John B. Ravenal Contributors Index.