[Mappings] proposes a thoroughly multiculturalist and geopolitical definition of feminism that significantly expands the theoretical boundaries of feminist theory and that underlines the importance of narrative as a meaning- making process. Friedman casts a wide net, one whose timeliness, thoughtfulness, and engagement should prove inspiring and worthwhile for a large number of readers.DLJoseph A. Boone, University of Southern California Here is a work by a critic-theorist who is already a major voice in the fields of feminist, cultural, and narrative theories. This volume is a rich and thought-provoking contribution to all three areas. Unlike many other books on the same topics, it will appeal to the general reader, as well as to the specialist. Friedman is never pedantic, but her point of view comes through strong and clear. Her engagingly lucid writing style will certainly make her readable in more than one context.

DLR. Radhakrishnan, University of Massachusetts In this powerful work, Susan Friedman moves feminist theory out of paralyzing debates about us and them, white and other, first and third world, and victimizers and victims. Throughout, Friedman adapts current cultural theory from global and transnational studies, anthropology, and geography to challenge modes of thought that exaggerate the boundaries of gender, race, ethnicity, sexuality, class, and national origin. The author promotes a transnational and heterogeneous feminism, which, she maintains, can replace the proliferation of feminisms based on difference. She argues for a feminist geopolitical literacy that goes beyond fundamentalist identity politics and absolutist poststructuralist theory, and she continually focuses the reader's attention on those locations where differences are negotiated and transformed. Pervading the book is a concern with narrative: the way stories and cultural narratives serve as a primary mode of thinking about the politically explosive question of identity. Drawing freely on modernist novels, contemporary film, popular fiction, poetry, and mass media, the work features narratives of such writers and filmmakers as Gish Jen, Julie Dash, June Jordon, James Joyce, Gloria Anzald%a, Neil Jordon, Virginia Woolf, Mira Nair, Zora Neale Hurston, E. M.

Forster, and Irena Klepfisz. Defending the pioneering role of academic feminists in the knowledge revolution, this work draws on a wide variety of twentieth-century cultural expressions to address theoretical issues in postmodern feminism.