Fashion and Modernity--Christopher Breward and Caroline Evans * Introduction--Caroline Evans and Christopher Breward * Fashion and Modernity--Elizabeth Wilson * Producing Identities *James Morrison (1789-1857), "Napoleon of Shopkeepers," Millionaire Haberdasher, Modern Entrepreneur--Caroline Dakers * Response--John Styles * Lee Miller and the Limits of Post-War British Modernity: Femininity, Fashion, and the Problem of Biography--Becky Conekin * Response: Modernity, Fashion and the Feminine: The Paradoxes of Lee Miller and the Limits of Biography--Carol Tulloch * People Dress So Badly Nowadays: Fashion and Late Modernity--Andrew Hill * Response--Adam Briggs * Performing Bodies * Court Masques: Tableaux of Modernity in the Early Seventeenth Century--Andrea Stuart * Response: Modernity and the Stuart Masque--Susan North * Ambiguous Role Models: Fashion, Modernity and the Victorian Actress--Christopher Breward * Response: Burlesque, Musical Theatre and the Residual Zone of Fashion--Lynda Nead * Movement, Model, Mode, Multiple: The Mannequin Parade 1900-1929--Caroline Evans * Response--Andrew Bolton * Processes of Modernity * The Fingerprint of the Second Skin--Response--Esther Leslie * Cuttings and Pastings--Alistair O'Neill * Response: Cuttings and Pasting - Filing Between Schwitters and Schiaparelli--Barry Curtis * Entropy (Fashion) and Emergence--Jamie Brassett * Response: Fashion's Rhythms - A Response to Jamie Brassett--Ben Highmore.
Fashion and Modernity