List of Illustrations Editor's Acknowledgments Editor's Note Introduction: The Perverse Logic of Nazi Thought Richard A. Etlin I. Weltanschauung 1. The Target of Racial Purity: The "Degenerate Music" Exhibition in Dusseldorf, 1938 Albrecht Dumling 2. The National Socialist Garden and Landscape Ideal: Bodenstandigkeit (Rootedness in the Soil) Joachim Wolschke-Bulmahn and Gert Groning 3. Bearers of Culture, Harbingers of Destruction: The Mythos of the Germans in the East Robert Jan van Pelt II. Propaganda 4. The Impact of Anti-Semitic Film Propaganda on German Audiences: Jew Suss and The Wandering Jew (1940) David Culbert 5.

The Celluloid War: Packaging War for Sale in Nazi Home-Front Films Mary-Elizabeth O'Brien 6. The Drama of Illumination: Visions of Community from Wilhelmine to Nazi Germany Kathleen James-Chakraborty III. Empire-Building 7. From Seduction to Denial: Arno Breker's Engagement with National Socialism Jonathan Petropoulos 8. Heinrich Himmler and the Nuremberg Party Rally Grounds: The Interest of the SS in the German Building Economy Paul B. Jaskot 9. Italian Fascists and National Socialists: The Dynamics of an Uneasy Relationship Ruth Ben-Ghiat IV. Appeasement 10.

The Bauhaus, 1919-1928 : Gropius in Exile and the Museum of Modern Art, N.Y., 1938 Karen Koehler 11. In Hitler's Salon: The German Pavilion at the 1937 Paris Exposition Internationale Karen A. Fiss 12. The Exiled Artists from Nazi Germany and Their Art Keith Holz List of Contributors Index.