Contents: Introduction: Some Stakes of Comparison, by Stanley K. Abe and Jas Elsner Chapter 1: Our Literal Speed , by Our Literal Speed Chapter 2: Locations of Comparison: Some Personal Observations , by Wu Hung Chapter 3: Bivisibility: Why Art History is Comparative , by Whitney Davis Chapter 4: Redundacy, Transformation, Impersonation , by Margaret Olin Chapter 5: The Object in the Comparative Context , by Ittai Weinryb Chapter 6 : Sculpture: A Comparative History , by Stanley K. Abe Chapter 7: Intersecting Historiographies: Henri Pirenne, Ernst Herzfeld, and the Myth of Origin , by Avinoam Shalem Chapter 8: Comparativism in Anthropology: Big Questions and Scaled Comparison - An Illusive Dream? , by Susanne Küchler Chapter 9: Was the Knidia a Statue? Art History and the Terms of Comparison , by Richard Neer Chapter 10: Christian Marclay's Real Time Fiction , by Robert Slifkin Chapter 11: Narrative, Naturalism and the Body in Classical Greek and Early Imperial Chinese Art , by Jeremy Tanner ons and Scaled Comparison - An Illusive Dream?, by Susanne Küchler Chapter 9: Was the Knidia a Statue? Art History and the Terms of Comparison , by Richard Neer Chapter 10: Christian Marclay's Real Time Fiction , by Robert Slifkin Chapter 11: Narrative, Naturalism and the Body in Classical Greek and Early Imperial Chinese Art , by Jeremy Tanner.
Comparativism in Art History