"Fascinating." -- New York Times Sunday Book Review "Un-put-downable." -- Wall Street Journal One of BUSTLE's "11 Women In Nonfiction Who Are Totally Killing It" "Diliberto captures Diane's determination in the early days to build a fashion brand and her great success striking the exact right note at the right moment with the creation of her modern wrap dress." -- Providence Journal "A compelling portrait." -- Atlanta Journal-Constitution "Absorbing . an all-access pass into the life of this enterprising artist [and] a lively portrait of a bold and determined woman as colorful and alluring as her fashions." -- Chicago Tribune "Fast and engrossing.a fun and insightful read about both the woman and the larger fashion universe.
" -- Chicago Business Journal "A fresh look at DVF's life.as powerfully seductive as the designer's iconic wrap dress." -- DuJour "Fascinating . examines the designer's rise to stardom from her postwar, European childhood to the personal scandals of her adulthood through a feminist lens." -- Bustle "Diliberto's biography of a determined yet often self-destructive woman adds to the legacy this force for fashion and female autonomy has bequeathed to the world." -- Booklist "Explores the pulse and impulses of the designer." -- Daily Mail (London) "Thoroughly reported . rich with delicious details .
a timely tale of a woman who knows what other women want: Everything." -- USA Today "Unwrap and enjoy." -- Library Journal "Fascinating.A detailed, grittier portrait of the woman Hemingway loved and left." -- Newsday on Paris without End "A bittersweet modern love story [that] reads as easily as a novel . their intimacy and candour was the raw material for Hemingway's great early short stories which achieved a powerful new realism about he relations between men and women." -- Vogue on Paris Without End "A fresh and incisive look at the first--and most intriguing--of [Hemingway's] four wives." -- The Boston Globe on Paris Without End "Diliberto's prose .
sings . leaves the reader with a vivid sense of the beauty in question, in both the painter's version, and the lady's herself." -- San Francisco Chronicle on I Am Madame X "A complex and often incredibly fun portrait . Diliberto deftly highlights the heady social whirl of Paris . [A] handsomely imagined story." -- Los Angeles Times on I Am Madame X "Postwar Paris and the ruthlessly competitive atelier of Coco Chanel come to glamorously gritty life." -- Vogue on The Collection.