This reading group guide for Uptown includes an introduction, discussion questions, ideas for enhancing your book club, and a Q&A with authors Virginia DeBerry and Donna Grant . The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book. INTRODUCTION Bestselling authors Virginia DeBerry and Donna Grant are back with a tale of scandal, sex, ambition, betrayal, greed, and politics. Set in the high- power, high- stakes world of Manhattan real estate, Uptown delves into the complex lives of a wealthy and aristocratic African-American family in Harlem. In the center of the story are Avery Lyons and Dwight Dixon, first cousins who grew up as close as brother and sister, but whose relationship was irreparably damaged by the devastating aftermath of one terrible night. When they must finally face each other after years of silence, family bonds are stretched to the breaking point. FOR DISCUSSION 1.
We first meet Dwight in the prologue as he is announcing the construction of Dixon Plaza at a high- profile press conference. Dwight has to face a large crowd of protesters. Before you knew how he behaved after the incident at Brown, did you sympathize with Dwight? How did your perspective change after you read about the incident at Brown? 2. In descriptions of Avery, it becomes evident that she has issues with closeness. Her job keeps her moving before she can get attached to any person or place. When she first sees her mother in the hospital room, Avery "handle[d] the scene as a movie--a spectacle she could observe from a safe distance, no interaction, please." With her formerly close friend, Avery admits she "had pushed Alicia away from her life--and had done a pretty good job of keeping her out there." However, Avery does not think of herself as alone: "she was a solo, not a solitary.
It was a choice. She could add other voices or companion travelers any time she chose." Do you think Avery was really alone? Why is she so uncomfortable with close relationships? 3. Dwight seems to prefer fantasy to real life. He wishes for a "magic BlackBerry--one without a dozen snarling messages from King, and insipid reminders from his wife to stop for flowers . or another condescending bulletin from Grace Kidder ." When preparing for a public appearance, he puts on a silk tie, "the last step in donning his armor." When confronted with the many safety problems with the Dixon buildings, he "couldn''t have this problem," as if it could be wished away.
Finally, he has a private fantasy life with Miss Delilah. Do you think Dwight can separate fantasy from reality? Does his fantasy life help or hinder him? 4. Soon after Avery lands in New York, she thinks she is "over the wishbone after Thanksgiving dinner, faded Polaroids, click your heels together, no place like home feeling . she''d just as soon reside elsewhere." When she actually reenters her childhood home for the fi rst time in years, she thinks, "this was the box and she felt like Pandora." What is Avery''s idea of home? Does it change over the course of the book? How does Jazz influence her idea of home? 5. Avery has a strong aversion to the airplane food coming to New York. A fruit run led to the accident that killed Forestina and injured King; when Avery fi rst enters the hospital, she is met with the lingering "smell of canned string beans and cold gravy.
" Are negative connotations of food tied into negative connotations of home for Avery? How are these reactions to food different from the meals she later shares with Jazz? 6. Both Dwight and Avery address the notion of survival. As Dwight traveled to the hospital, "he let the cold air brace him for whatever the hospital would bring. Not exactly Navy Seal training, but survival was survival, and Dwight worked with what he had." Avery''s take on survival seems more about blocking things out, or creating a sense of distance: "usually Avery could press on through distraction, boredom, temptation and pain. Suck it up and drive on--her father taught her that when she was a little girl--and reinforced it regularly." Are there similarities in the ways Avery and Dwight try to "survive" their situations in the book? Differences? 7. Avery never tells her mother what happened that fateful night at Brown.
Do you think, by the end of the story, she accepts what happened? 8. What personality traits does Dwight share with his father, King? Does Dwight aspire to be like him, or to be different? Does he expect to be more successful than King? 9. In contemplating Avery''s relationship with her parents, "as a kid she used to look for similarities to connect her to these two people who made her, but she came up empty." Avery is not particularly close to either parent and she ultimately learns something shocking about each: her seemingly cold and ultra-strict father regularly helped his tenants, and her mother had an affair starting well before her husband''s death. How did these discoveries affect her memories of each parent? Does she share any qualities with her parents? 10. Dwight visits Miss Delilah to be humiliated in order to become stronger and better able to handle his life. As described in the book, "Dwight could feel himself growing stronger with every insult she hurled." Why else might Dwight seek out her verbal abuse? Dwight experiences humiliation from his father and other situations in his life--why does he only get pleasure from Miss Delilah? Later, when Renee finds the marks on Dwight''s chest, he first asks himself, "how did I forget?" He then asks, "why did I forget?" Did Dwight want to get caught? 11.
Avery ultimately accepts the fact that forgiving Dwight is the only way she can get beyond her past, which has been like a prison for her for years. Did her confrontation achieve that for Avery? What, if anything, did it achieve for Dwight? 12. What do you see in Avery''s future? What do you see in Dwight''s? ENHANCE YOUR BOOK CLUB 1. Check out the authors'' website, www.DeBerryandGrant.com. Sign their guestbook as a group and tell them about your book club discussion! Keep tabs on what the authors are up to on their blog, www.TwoMindsFull.
blogspot.com. 2. Learn more about the complex and rich history of Harlem using an online search engine or searching your local library. Use an online mapping program, such as GoogleEarth, to locate the area where Dixon Plaza was planned. 3. Bring a bottle of Barolo to your discussion to share with the group--it helped get the conversation flowing with Avery and Jazz! 4. Uptown brings back two characters from the earlier novel Better Than I Know Myself.
Read this book to get a better background on these fascinating characters. Also, check out other DeBerry and Grant books like Gotta Keep on Tryin'', Tryin'' to Sleep in the Bed You Made, and What Doesn''t Kill You. Visit www.SimonandSchuster.com for more information. A CONVERSATION WITH VIRGINIA DEBERRY & DONNA GRANT Uptown is a departure for you both: many of your other novels have a much lighter tone and are centered around one or two strong female characters and their relationships. Why and how did you decide to take this new direction? Was the experience of writing Uptown significantly different than your previous works? We enjoy stretching ourselves in our writing--working a new muscle group. For example, What Doesn''t Kill You, our last novel, was our first attempt at writing in first person.
We had a ball and will undoubtedly do it again--hopefully with Tee. Readers got her, and she has much more to say. And just as with Tee''s economic woes, we wanted to be ripped- from-the-headlines current. The real estate bubble--mortgages, foreclosures, speculation, bankrupt developers--has been all over the news and affects lots of us, and Harlem properties were hot. When we were hatching a story about secrets, wounds, and a family real estate business rooted in Harlem, we realized we had already created the Dixons for Better Than I Know Myself and that their moment was now. So this time the men came first, definitely unusual for us. The cold, manipulative Dwight and the overbearing King made a strong impression with readers and they were juicy for us to write. Dwight needed a foil--a female character with Dixon family history.
We had already introduced Aunt Forestina when we met Dwight and King. That gave us the opportunity to bring her daughter, Avery, into the picture. Once we came up with Avery and her self-imposed isolation from her family, we knew she had to have a friend to bring her out, someone she could talk to, someone who knew her before she withdrew. That''s when Alicia appeared, just when we needed her. We wrote Uptown pretty much the way we always do. Whether it''s the doll business in Gotta Keep on Tryin'' or the cosmetics business in WDKY, we always research our background subject. In the case of Uptown, that was Manhattan real estate development--not an area we knew much about. Then we develop our characters.
Both Avery and Dwight have deeply layered personalities. What you see on the outside is not who they really are, and we needed to create each buried level in the way it might have occurred naturally, then place the next on top--so we could then have the charac.