Introduction Section I History of Film Editing Chapter 1: The Silent Period Chapter 2: The Early Sound Film Chapter 3: The Influence of the Documentary Chapter 4: The Influence of the Popular Arts Chapter 5: Editors Who Became Directors Chapter 6: Experiments in Editing: Alfred Hitchcock Chapter 7: New Technologies Chapter 8: International Advances Chapter 9: The Influence of Television and Theatre Chapter 10: New Challenges to Filmic Narrative Conventions Chapter 11: The MTV Influence on Editing I Chapter 12: The MTV Influence on Editing II Chapter 13: Changes in Pace Chapter 14: the Appropriation of Style I: Imitation and Innovation Chapter 15: The Appropriation of Style II: Limitation and Innovation Chapter 16: The Appropriation of Style III: Digital Reality Section II: Goals of Editing (new) Chapter 17: Editing for Narrative Clarity (new) Chapter 18: Editing for Dramatic Emphasis (new) Chapter 19: Editing for Subtext (new) Chapter 20: Editing for Aesthetics (new) Section III: Editing for the Genre Chapter 21: Action Chapter 22: Dialogue Chapter 23: Comedy Chapter 24: Documentary Chapter 25: Imaginative Documentary Chapter 26: Innovations in Documentary I Chapter 27: Innovations in Documentary II Chapter 28: Ideas and Sound Section IV Principles of Editing Chapter 29: The Picture Edit and Continuity Chapter 30: The Picture Edit and Pace Chapter 31: The Sound Edit and Clarity Chapter 32: The Sound Edit and Creative Sound Chapter 33: Innovations of Sound Chapter 34: Nonlinear Editing and Digital Technology I Chapter 35: Nonlinear Editing and Digital Technology II Chapter 36: Conclusion Appendix A: Filmography Glossary Selected Bibliography Index of Style II: Limitation and Innovation Chapter 16: The Appropriation of Style III: Digital Reality Section II: Goals of Editing (new) Chapter 17: Editing for Narrative Clarity (new) Chapter 18: Editing for Dramatic Emphasis (new) Chapter 19: Editing for Subtext (new) Chapter 20: Editing for Aesthetics (new) Section III: Editing for the Genre Chapter 21: Action Chapter 22: Dialogue Chapter 23: Comedy Chapter 24: Documentary Chapter 25: Imaginative Documentary Chapter 26: Innovations in Documentary I Chapter 27: Innovations in Documentary II Chapter 28: Ideas and Sound Section IV Principles of Editing Chapter 29: The Picture Edit and Continuity Chapter 30: The Picture Edit and Pace Chapter 31: The Sound Edit and Clarity Chapter 32: The Sound Edit and Creative Sound Chapter 33: Innovations of Sound Chapter 34: Nonlinear Editing and Digital Technology I Chapter 35: Nonlinear Editing and Digital Technology II Chapter 36: Conclusion Appendix A: Filmography Glossary Selected Bibliography Index 29: The Picture Edit and Continuity Chapter 30: The Picture Edit and Pace Chapter 31: The Sound Edit and Clarity Chapter 32: The Sound Edit and Creative Sound Chapter 33: Innovations of Sound Chapter 34: Nonlinear Editing and Digital Technology I Chapter 35: Nonlinear Editing and Digital Technology II Chapter 36: Conclusion Appendix A: Filmography Glossary Selected Bibliography Index.