PRAISE FOR THE NEW YORK TIMES BESTSELLING FLOWER SHOP MYSTERIES Other Flower Shop Mysteries OBSIDIAN ACKNOWLEDGMENTS CHAPTER ONE Monday "Are my newlyweds ready to go inside for a look?" Our Realtor pressed her hands together as though praying, her smile as desperate as her enthusiastic nods, as if to say, Of course you''re ready! At that price, you''d be fools not to be. Please, please, please? I glanced at Marco, who was studying the dilapidated Victorian home with a shrewd and, yes, disdainful eye. Good. We were on the same page. "No," I said, just as Marco said, "Sure." I turned to my handsome hubby in surprise. "Sure?" "No harm in looking." "I am looking, Marco.
The question is, what are you seeing?" It was peculiar for us to be at odds because our tastes ran in remarkably similar veins. Hand us a menu and we''d pick the same entrée every time. But clearly he wasn''t seeing what I was seeing today, because directly in front of us stood a narrow, wood-sided two-story with peeling paint, a porch that tilted dangerously to the right, a sharply peaked roof whose tiles had curled, dingy gray gingerbread trim, and a detached shed-turned-garage that might have held a Volkswagen Beetle--with no door handles. The old house, built sometime in the early 1900s, swarmed with roofers and painters who''d been hired to get it ready to be put on the market. Lorelei Hays, our overly eager Realtor, had heard that the Victorian was going up for sale and wanted us to see it before the crowds beat a path to the warped brown door. As far as I was concerned, a path would have been an improvement over the cracked cement sidewalk on which we stood. I loosened the emerald-and-navy-plaid scarf around my neck and took off my green gloves. The March sun was making a rare appearance in a week that had been rainy and cold.
My little dog, Seedy, kept tugging at her leash, so I turned to see what she wanted and saw her wagging her shaggy tail, gazing up toward the roof where a painter was giving the decorative trim along the roofline above an attic window a coat of white paint. I doubted it was the worker who''d intrigued her. Seedy was a rescue dog who''d had an abusive owner, and she was still wary around most men. But I didn''t see anything else that could have attracted her attention. Studying the Victorian''s shabby facade, I could only imagine what the inside was like. No, I didn''t want to imagine it, because I was definitely not interested. The only positives were that it would be available in a month and it was located five blocks off the town square in my hometown of New Chapel, Indiana. And because my flower shop, Bloomers, and Marco''s business, Down the Hatch Bar and Grill, were located on the square, we could have walked to work.
Lorelei bounced on the toes of her black patent pumps. "So? Are we ready to see the interior?" She was wearing a marine blue two-piece suit trimmed in black braid, with shiny black button earrings and a black tote bag, all nicely accenting her short platinum hair. Marco had wanted to go with a well-seasoned Realtor, but I had opted to give a newbie our business because it hadn''t been that long since I''d opened Bloomers and I remembered how it felt to be the new kid on the block. In her late forties and just starting out in real estate, Lorelei fit the bill. But so far, she hadn''t shown us a single house we''d liked, and we''d been looking since October. Our landlady had been patient thus far--she didn''t normally allow pets--but she''d been dropping enough hints lately that we knew we had to find something soon. Marco was still analyzing as the roofers nimbly navigated the steep pitch. Two painters in blue coveralls stood on scaffolding on the right side of the house applying tan paint to the second story, while the third painter, the apparent object of Seedy''s attention, balanced at the top of a tall extension ladder.
All of the workmen wore navy baseball caps and light blue coveralls with the logo HHI--Handy Home Improvements--on them. "Judging by the condition of the outside," I said to Marco, "this house is going to need a lot of time and money pumped into it." "You look like do-it-yourselfers," Lorelei said. "It could be the perfect little project for you to work on together, a real bonding experience." Or grounds for divorce. Deep in contemplation, Marco rubbed his jaw. "I can see us working on it." "Clearly, Marco, you''ve forgotten about our experience painting the bathroom at Down the Hatch over Christmas.
" "That wasn''t so bad," he said. "For you." "Sunshine, you''re the one who wanted to put seven coats of paint on it." "One application of sugar maple does not cover glossy navy blue, Marco. I can still see blue showing through--and that was three coats, by the way, not seven." He put his arm around me. "I think the bathroom looks great. Come on, sweetheart.
We should at least have a look at the inside." I moved us off the walkway. "Between your long hours at the bar and your private investigations, when would we have time?" "You''ve been looking for something to do in the evenings," he said. "Not renovating a home--alone!" "You wouldn''t have to do it alone. I''d be there as much as possible, and I''ll bet your niece and your cousin would love to lend a hand." That, in itself, was reason to say no. Tara, my fourteen-year-old niece, would need to take a Twitter break every five minutes, while my cousin, Jillian--a spoiled pregnant diva precariously near her due date--wouldn''t even paint her own fingernails, let alone someone else''s walls. Besides, between running her personal shopping service and doing dry runs to the hospital, she was too busy.
"Just take one walk-through," the Realtor urged. "If you don''t like its charming layout or don''t see any potential, we''ll cross it off your list." We had a list? "Sorry," I said to both of them. "I really don''t like it." A cry from the roof made me turn in alarm just in time to see the extension ladder fall in an arc away from the house, the painter still clinging to the rungs. Everyone, including me, stood frozen in horror as the ladder carried the painter backward until the poor man hit the ground with a loud thunk , his head smacking the cement sidewalk with an audible crack. Then he lay still, the aluminum ladder on top of him. As though someone had pressed a button, all of us sprang into action.
I scooped up Seedy and ran toward the man along with Marco and Lorelei, while workmen scrambled to get to the ground. Marco was on the phone calling for an ambulance before we''d even reached the man''s side. The Realtor lifted the ladder aside as I put Seedy down and crouched beside the painter, whose coveralls read Sergio on the pocket. "Sergio," I called, feeling for a pulse in his neck. "Can you hear me? Can you squeeze my hand?" His eyes were closed and he made no response, but his pulse beat steadily beneath my fingertips. Another man in coveralls, the name Sam on his pocket, dropped to his knees on the other side, grabbed Sergio''s face, and gave it a shake. "Sergio, buddy. Talk to me.
" "Don''t shake him," Marco commanded, putting away his phone. "His neck could be broken. Step back and wait for the paramedics." The other painters joined us and within minutes the roofers were there, too, all standing in a semicircle around their fallen coworker. In the distance I heard a siren, and then another, and a minute later a squad car roared to a stop and two cops jumped out and jogged over. One of them was Marco''s buddy Sergeant Sean Reilly, whom Marco had trained under during his stint on the New Chapel police force. "What do we have?" Reilly asked Marco as he knelt beside the man. "He''s a painter.
" Marco turned toward the house and pointed. "When we got here, he was at the top of the ladder painting above that attic window. I heard someone cry out and looked around to see him falling backward." Neighbors began to emerge from their houses. Then an emergency van pulled up and the two-man crew hopped out and sprinted toward us. While they began their examination of Sergio, I turned to see why Seedy was tugging on her leash and saw a short, stout woman and two children coming down the steps of the Victorian. They stopped a short distance away to watch the proceedings. I checked my watch.
It was noon. What were the kids doing home from school? The woman wore a thick brown cardigan over a white blouse and jeans, and white athletic shoes. Her long dark-brown hair hung flat against the sides of her head. She had small brown eyes and a wide nose set in a round face devoid of makeup. She was holding her children''s hands as though she was afraid some danger might befall them. They must be the current occupants of this house, I thought. The boy, who appeared to be around ten years old, had jet-black hair with a heart-shaped face and vivid blue eyes. He was wearing a quilted navy jacket, jeans, and black sneakers.
The girl, whom I pegged at six years old, had wide cheekbones in a tiny face and long black hair. She wore a deep purple hooded jacket and black corduroy pants with purple-and-white sneakers. Oddly, neither child seemed interested in the accident. Instead, the boy was watching my dog, while the girl seemed more interested in me. I was accustomed to people staring at Seedy, one of the homeliest dogs I''d ever seen. Her big pointed ears had tufts of hair on the ends, her lower teeth protruded, her muzzle was grizzly, the ridges of her spine showed, her brown, black, and tan fur was uneven, her tail was bushy, and she was missing a hind leg. B.